Designing Woman

For my last Model Musing column with Look Books I had the opportunity to speak to one of China’s rising stars, Tian Yi. A smart girl, Tian studied fashion and hopes to take full advantage of her modeling career to eventually go into creating designs of her own.

Have a read and enjoy getting to know this lovely girl by clicking HERE or simply read below.

Model Musing: Tian Yi

  Tian Yi is one of those girls who seem to have luck on her side. She was discovered by her agency on the modeling website models.com by pictures she submitted. Since then her career path was paved with bookings for top fashion magazines and designers. 
From the established brand names, Vogue and Bazaar to the edgy i-D and 10 magazine; the editorial goes hand in hand with the work Tian has been showing on the runway. Valentino, Yves Saint Laurent, Prada and Marc by Marc Jacobs are counterbalanced by rising stars like Alexis Mabille, Phillip Lim, Dries Van Noten and Rad Hourani. Graced this season with the campaigns for Vera Wang and Sephora, Tian’s path in this industry seems to be heading in the right direction and one that will keep her in the center of what she loves the most: fashion. 
Tian has been given the opportunity to see from the inside how it is to create an entire collection and bring it to the runway, an experience that will surely be helpful since she would like to soon start focusing on launching a collection of her own.
Here Tian picks her favorite modeling image and tells us why it’s so special.
Why do you love this picture?
Because I was happy to be able to work with a great team and these fabulous girls!
Who were the other models in this shoot?
It was me and five other girls: Liu Wen, Xiao Wen, Lindsey, Marie and Daria. They were so nice to me and I has really happy to be able to work with them.
Who took it? Were you excited to work with this photographer?
Inez and Vinoodh . Of course, so excited and I had the opportunity to learn a lot from this shoot!
How long was this shoot?
A day and a half, because i had to leave early on the second day to finish my school exams.
What direction did the photographer give you?
They just let me be myself and were very nice.
What was it for?
It was for the cover of Vogue China’s September issue.
What were you wearing?
I was wearing Louis Vuitton and a huge hat on the cover. I also wore a beautiful skirt for the editorial inside the magazine, I loved it!
What about this profession makes you the happiest?
The opportunity to travel around world and see a lots of different cities and also I really enjoy the opportunities to make new friends, eat some delicious food that I never tried before, that’s the most fun and cool part!
What have you learned from your career that you consider truly valuable?
I learned to be patient. Sometimes you have to wait a long time for things to happen, but you have to be patient and you will have an opportunity to show yourself. You have to be patient about your career.
What advice would you give to aspiring models?
I would tell them to just be themselves and be confident, that is it; and welcome to fashion!
Do you see yourself doing something else in the future?
I love dressing up for the big fashion houses and I love fashion; in the future I would love to be a designer for one of those great brands. 
What were some of the challenges you conquered as a model? 
I’m more confident when I talk to people, I’ve also learned to be comfortable outside of my comfort zone. I actually love when I have challenges to face.
Tian Yi is represented by Fusion Model Management

From Tunisia, with Love.

This week find out more about the Tunisian model who is planning on turning the tables for some Tunisian artists in the New York art scene.

Follow the link or read below.

Model Musing: Kenza Fourati

A product of the world famous Elite Model Look competition, Kenza Fourati was the first Tunisian to enter the competition. Even though she comes from a very progressive family, Kenza’s parents had a hard time understanding how modeling could be an actual job and were afraid of what the future of her daughter could turn out like being in such a different cultural environment. After long hours of discussion it was finally agreed that Kenza would go to Paris to give it a try. 
From fashion publications like Vogue, L’Officiel, Elle and GQ to the top selling pages of Sports Illustrated, Kenza has climbed to the top echelons of the industry and has embraced the world with an open mind.
Currently living in New York city, Kenza is working on launching her own fashion label while working on her most bold and heartwarming project; an online community to bridge the cultural gap between the Middle East and the Western world through art.
Was modeling a dream for you or did it just happened by chance?
Well, it was so uncommon (in Tunisia) that I really never thought of it for half a second, it was all a happy accident.
What were your most remarkable experiences as a model?
All my “first times”; my first show, my first fashion week, my first casting, my first time in front of the camera, with the responsibility of a crew working around you. Then you understand it’s more than fun, it’s a job and you have to be the best you can.
Is there anything that bothers you in this business?
The lack of control; I’m a control freak, but this job is really like George Berkeley’s quote, “To be is to be perceived”, and that s very frustrating!
What have you learned from your career that you consider truly valuable?
At a young age I understood you have to be your very own knight in shining armor. I can be in an alien place alone and I can handle it with no fear. Thanks to modeling, I know now that I am a capable person.
What advice would you give to aspiring models?
Don’t loose sight of who you are. You will meet tons of people who will judge you and project all kinds of fantasies on you but at the end, you are the only one who truly knows who you are.
What were your biggest challenges as a model?
Coming from an Arab Muslim country with no real visibility of the future and as a model to keep it true to who I am.
What is you favorite modeling image?
A portrait taken by Cedric Buchet for Vogue Paris, I find it to be very powerful.
Were you excited to work with him?
I have always loved his work and I loved how he perceived me. Not only is he an awesome photographer but he is also a great guy.
Where was it taken?
We shot in the middle of the road in Chinatown in New York. I’m 5’11 and was wearing sky-high heels and a see-through top; let me tell you, there was a lot of staring happening!
Who was the stylist?
Julia Von Boehm. I work very often with her, she has the most incredible energy and speaks (what seems to be) two thousands languages.
Any wardrobe malfunctions in that shoot?
I was freezing, so that’s a malfunction to me!!
What was the theme of the shoot?
The diversity of faces in France: Black, White, Beur (North African origins), …

The Best There Ever Was

Here is my latest article for Look Books, on the superb book Antonio – Fashion, Art, Sex & Disco. The book was edited by Mauricio and Roger Padilha, of MAO PR, for Rizzoli and is a must read. Read below or view the original by clicking here.

Antonio Lopez

Antonio Lopez’s name may sound foreign to you, or it may ring a bell or two, but you still won’t be able to place it. Maybe you won’t have heard of it at all. The brothers Mauricio and Roger Padilha hope to set the record straight with their book, Antonio – Fashion, Art, Sex & Disco (Rizzoli, 2012).
Antonio Lopez is one of, if not the most, famous and influential fashion illustrator to ever cross the earth. His world was inhabited by some of the world’s most brilliant and seductive creatures; from Halston, Karl Lagerfeld and Andy Warhol to Pat Cleveland, Jessica Lange and Jerry Hall. They were all struck by the innovative eye of Antonio Lopez. Alongside his lifelong creative partner, Juan Ramos, Antonio was able to give flight to his dreams and visions of beauty. Juan made it all possible, he put order to Antonio’s passion and gave it direction.
The importance and influence of this creative duo in the fashion and the art worlds, lives on and cannot be denied. For over three decades the work of Lopez and Ramos had transcended medias and hadn’t lived only on paper but in the collective conscience and daily life of fashionistas throughout the globe. Antonio and Juan put art and fashion side by side for the first time through the innovative and bold approach in their work, and soon enough there wouldn’t be a single living being who wasn’t touched by the end result of their creative efforts.
Antonio’s illustrations were featured on magazine covers, fashion editorials, advertising campaigns and even came to life on the runway, as clothes. Their visionary influence touched the likes of Anna Sui, Norma Kamali and Karl Lagerfeld. Those who crossed their paths would not leave their side and every day was treated as if it was an opening night at the most seductive club in town; life for these beautiful children of the world was a cabaret.
After creating the best selling art book of 2009, The Stephen Sprouse Book, the brothers Padilha took time to work in this remarkable book, that will transport you to a place in which everything that is beautiful, is possible. Here is what they have to say about their book.
How do you choose your subjects among so many interesting and enticing things to write about in fashion? 
Mauricio: Our motivation for the book, as with our previous tome on Stephen Sprouse, was to acknowledge and credit the work of an influential artist who seems to have been forgotten over the years. Antonio Lopez was one of the most famous and influential artists in the fashion world during the 60s, 70s, and 80s but it seemed that while his influence is still around, knowledge of him or his life was not prevalent.
Is this book also an homage to Juan Ramos, seeing as he was so present in Antonio’s life and work?
Roger: Absolutely. In the first chapter of the book, we very clearly state that “Antonio” was actually the work of two men working side by side. Antonio Lopez and Juan Ramos met at F.I.T and worked together for 25 years. While Antonio was the genius illustrator, Juan was the one who directed the drawings and worked on the business end of things. Juan Ramos was integral to Antonio’s success and they both made a decision early on to just publicize Antonio solely, but everything really was a collaboration between the two of them.
What do you hope to achieve with this book?
Mauricio: Growing up, we were both so inspired and awed by Antonio’s work and we hope that future generations will get to experience the magic of his art. 
Roger: We also wanted to showcase Antonio as an artist and not just as a commercial illustrator. Aside from the illustrations, Antonio was a master photographer, a stylist, and also responsible for discovering many of the world’s most famous faces such as Jerry Hall, Grace Jones, and Jessica Lange. He influenced many designers such  as Karl Lagerfeld and Norma Kamali and his influence is still being felt today.
Were there ever any difficulties when doing research for this book? I can imagine there was pretty vast material available…
Roger: Not too many. We were lucky to befriend Paul Caranicas who holds the rights to the Antonio Archives many years ago and he trusted us and knew that we were going to be respectful of the truth. Also, Juan Ramos outlived Antonio for 8 years and during this time he (among other things) organized the archives so we didn’t have too much trouble identifying subjects or finding the most iconic images. The one difficulty was the vast amount of materials available to us. Everything Antonio did from a finished work to a doodle on a napkin was exquisite so it was difficult to edit down what we wanted to put in a book. We had 304 pages which we jam-packed with images but honestly we could do 10 books with the amazing work that is in the archives!
Does Antonio have any influence in your daily work?
Mauricio: Yes. Antonio lived his work. There was no real separation between his social life, personal life, and work life–it was all one and the same. And we to a certain extent behave the same; when you love what you do, you don’t want it to end after you leave the office!
There was a fearless and daring quality to Antonio’s work, who in your opinion has been doing the same thing over the past fifteen years?
Roger: There are so many talented people such as Marc Jacobs, Karl Lagerfeld, Rick Owens, the women behind Rodarte, Carine Roitfeld, Steven Klein; but they are all very specific and working within one field. There doesn’t seem to be so many people who work in various medias doing the same thing. Maybe Madonna…
By breaking boundaries and pushing the envelope with his work, do you believe that Antonio was also a strong influencer in fashion and a trend setter?
Both: Absolutely! You tell us after seeing the book!

Biologic Clock

Who could ever imagine that the same model who was once featured on more than 40 covers of Cosmopolitan magazine would turn into a biologist? I certainly couldn’t, but in this week’s Model Musing I had the opportunity to chat with the stunning Fabiana Tambosi to find out what’s so attractive about genes and cells.

Follow the link for the original post or simply read below.

Model Musing: Fabiana Tambosi

Born and raised in a small town in the countryside of Brazil, Fabiana Tambosi wanted to go to school to study biology. While going to etiquette classes when she was fourteen, Fabiana was spotted by the same scouter who discovered Gisele Bundchen and Alessandra Ambrosio, so the outcome could only be one.
With a modeling career that spans more than 12 years, she has become one of the most sought after beauty models in the industry, signing contracts with every major brand in the world: L’Oreal Paris, Elizabeth Arden, Clarins, Garnier, Revlon, Almay and Clairol, to name a few.
Her Brazilian beauty caught the eye of great photography masters like Mario Testino Raphael Mazucco and Ellen Von Unwerth who have shot her for prestigious jobs such as the Victoria’s Secret catalog and campaigns for Tommy Hilfiger, Guess by Marciano and Alfred Dunhill Fragrance. Tambosi has graced the covers of top selling magazines such as Vogue, Elle and Marie Claire in several different countries, but probably one of her most remarkable achievements is having appeared on more Cosmopolitan magazine covers than any other model.
Today, Fabiana pursues her dream of becoming a biologist and proves through very hard work, that it is possible to hold the highest grades in her class and still maintain a successful and fruitful career as one of the world’s top models.
So modeling wasn’t really in your radar?
Not at all, I wanted to be a biologist, but my sisters kept telling me that it would be a great opportunity to travel the world and get to know other cultures and learn other languages as well as making money and becoming a more responsible and independent person, because I was very over protected at home.
How did your parents react when you told them about the opportunity to model?
They didn’t want me to do it at all, but my older sisters reminded them that if I were to go to school for biology I would have to leave home anyway. They gave me a year to try modeling and I started working from the moment I stepped into Sao Paulo.
What have you learned since you embraced your modeling career?
I’ve learned that I have to be in charge of my own life. You have to pick goals and work very hard towards achieving them without ever losing sight of what you want. I love the person I have become, I had financial freedom from a young age and became very responsible early on. Traveling the world has taught me a lot, but above all, it has taught me to be disciplined  because without discipline things don’t always work out. 
Is there a job you absolutely would not do?
I would not be photographed naked, I would feel weird about my family seeing it.
What advice would you give to aspiring models?
I would tell them they should know what they want, they need to be disciplined and have a lot of patience to achieve it.
What is your favorite image from your modeling career?
The cover of Vogue Greece, shot in Rio de Janeiro in 2001.
Why do you love it?
Because it was shot in Rio, with beautiful natural light and no retouching.
Who took it?
Thanassis Kaloyannis 
What were you thinking when the picture was taken? 
I was thinking I wanted to look gorgeous for the magazine to sell a lot! (laughs)

Fabiana is represented by Elite Model Management in the United States and Ten Model Management in Brazil.

Full Frontal

This week, Model Musing would be giving full frontal if the website wasn’t G-rated. I took the liberty of posting the actual picture which Samuel de Cubber was talking about, here in my blog. He is really proud of it and I didn’t want to keep any of you from seeing why.

Follow the link for the original interview on Look Books or read below.

Model Musing: Samuel de Cubber

Nudity in the modeling industry has always been a big topic for discussion, but for Samuel de Cubber, it is nothing but his proudest moment. His big career break came in the form of a campaign for an Yves Saint Laurent fragrance, in which he was asked to pose wearing nothing but fragrance. 

Samuel knows the ins and outs of the modeling career and believes it’s a blessed one; “If you are a very successful male model you work three to four times a week at the most, so there’s plenty of time to enjoy life!” says de Cubber.
The top male model, who has traveled the world shooting with some of the most beautiful girls in paradisiac locations now takes from all the experience and networking he gathered through the years  and is applying it to another end of the industry.  Today Samuel works as a model scout for one of France’s leading modeling agencies, New Madison. Looking ahead, Samuel contemplates the possibility of working in the health and fitness industry: “I want to open up gyms, promoting boxing and Taekwondo as the best way to lead a healthy and happy life.” – And if he continues to take advantage of his body like he did in his modeling career, we don’t see any reason why his gyms wouldn’t be packed.
Once you were discovered, did you have support from your family?
I didn’t need anyone’ s approval or support, growing up in Marseille you take every opportunity  you get to improve your life.
Was modeling a dream for you or did it just happened by chance?
I had no idea  guys could be models, I got lucky. 
What have you learned from your career that you consider truly valuable?
I learned that I am my own business, therefore I became the greatest sales person ever! (laughs) In that respect I am the product and this not only can be applied to modeling but also to my every day life. I have also  learned a great deal about myself, I  learned to recognize my good and bad sides, and that ability, I owe to the modeling business.
What advice would you give to aspiring models?
Don’t believe everything people say, learn to listen and make your own opinion, be patient and organized  and also, save money when you are lucky enough to make some!
Do you love fashion?
Not really, I wear T-shirts and jeans all the time, nothing else. 
What was your biggest challenge as a model? 
Not much of a challenge there, I always get very upset when I hear models complaining about their job; no one is forcing them to do this and if they had any other job in their life before modeling they would realize how easy they got it compared to anyone else.  
Why do you love that fragrance campaign?
Because I’m naked on it, and there’s nothing better than being naked (laughs)! No, seriously, it profoundly changed my life, I don’t know of many pictures that were able to change someone’s life so much, I had no idea what I was stepping into when I took that job. 
Who took it? Were you excited to work with that photographer?
Solve Sundsbo took it, but I had no idea who he was.
Who else was in the crew?
From what I recall it was Tom Ford , Solve and his assistants, Sam McKnight and Thomas Lenthal on the set. 
What direction did the photographer give you?
Solve is really cool, we spoke a lot the day before the shoot and he showed me pictures of Greek statues and similar references, so once we were on the shoot we just went with the flow and tried a few different things, until Tom, Solve and Thomas where happy with it. 
What was it for?
The fragrance M7 by Yves Saint Laurent.

A Love Affair in Tiffany Blue

I have once again interviewed the artist Danny Roberts. This time we talked about his collaboration with the iconic jewelry brand Tiffany & Co. Have a look at the original after the jump or below.

Tiffany & Co.’s Love Affair with Art

When Tiffany & Co. decided to settle in a new location in the heart of SoHo, they also came with a set of fresh ideas, in a concept that attracts attention to their upcoming store without advertising it, in low key and elegant manner, like the brand itself. Tiffany commissioned  four artists to paint their massive store front on 97 Greene street: Danielle Dimston, Ellis Gallagher, Danny Roberts and Natasha Law; each creating something in their own vision and style. The first three artists showed between July 16th and August 17th; and Natasha Law, is showing between August 18th and 27th. On Fashion’s Night Out the artists  will mix with the usual hurly-burly of fashion when videos and photos of all of the artistic productions will be displayed at the store.
The only requirement for the artists was that they showed their interpretation of what love is and that the iconic color “Tiffany Blue” should be incorporated in their work. Love is not a theme that is foreign to the company, which is probably the brand that is more associated with romance than any other in its field.  As for the color requirement; well, ask any woman how they’d feel if they got a box in Tiffany Blue as a gift and there will be your answer. For the moment though, see what Danny Roberts has to say about his collaboration.
How did you come up with the concept for this mural?
Since the theme of Love is an essential part of the Tiffany and Co. brand, they wanted the theme to be my interpretation of love. My first thought was of a guy and a girl in love, and the girl wearing a dress in Tiffany Blue. From there, the picture began to center around things I love. Since I love painting, couture and high fashion collections, I thought to incorporate that into the composition. The guys clothes were inspired by 1837 which was the year Tiffany’s was founded. Also, I love castles and old architecture, so I decided to set the picture in a palace.  
Were you nervous about producing something in such a large scale?
Yes, definitely, but it’s something that I am a little used to. Whenever I try something different, there is a nervous excitement that comes with it, but it’s a feeling I actually love.
Are any of the characters in your painting inspired by people in your life?
Yes, not all of them, but a few. The guys, for the most part, were referenced off of me, just because it was the most convenient. Some of the girls were inspired by Lily Cole, Ali Michael, and Sophie and Gemma Ward. I chose them because they are girls I am used to drawing, and I really enjoy drawing them.
Anything curious happened while you were working on it?
Not really, except that the brand had asked me to sign my name in the mural in the back of the store, where the two other artists had already signed too and the whole wall was tagged by graffiti artists, so I had to climb all the way to the top to sign. I think they saw Ellis’s signature (which resembles a tag) and felt inspired. (laughs)
You can also follow Danny Roberts and Igor & Andre on Twitter.

Light Blue

The Model Musing column this week features Daniela Lopes and her memorable ad for Dolce & Gabbana’s fragrance Light Blue, shot by none other than Mario Testino.

Have a read after the jump or below.

Model Musing: Daniela Lopes

Daniela Lopes had never imagined she could be a model. In fact, Daniela wasn’t even aware of what models did or who they were so, naturally, when she was approached on the street by the mother of a model and invited to join a modeling agency she set out to do some research on the subject. As a fourteen year old she was taken by a teenage magazine and immediately swept away by the images in those pages. That was it, a love affair of more than fifteen years with fashion had begun.
With campaigns such as Roberto Cavalli, Alberta Ferretti, D&G and L’Oreal under her belt as well as covers for the top selling magazines like Vogue, W and Elle, Daniela continues to work steadily in an industry that can be ruthless about age. With an appetite for the new, Daniela has also explored possibilities in the fields of interior design and acting, while she works on making time to fully dedicate herself to her true dream: journalism.
Here we explore some of Daniela’s modeling memories and have a look at her favorite image from a long and successful career.
Did you have support from you family?
All the way, my mother especially, she was always there, even when I was miles away, oceans apart, she was there, and the entire family celebrated every new job, a new magazine editorial or an ad.
What about this profession makes you the happiest?
The opportunities I have had so far,  I learned new languages, traveled all over the world, met different people; great people! It has been great to understand and live with different cultures and keep an open mind. It’s a huge opportunity for a girl from Brazil. I also learned a lot about taking care of myself physically and mentally; being away from home for so long can be really hard on us. The financial  side of this profession is also great as it allows me to help my family. But at the end of the day what makes me the happiest is a job well done. 
And the most disappointed?
That even though we travel to the most amazing places in the world, we are always on our own. I wish I could have a loved one with me to share the beauty and experience of those places.
What were your most remarkable experiences as a model?
I can’t pin point a specific job or anything like that, but what the modeling career has provided me. I have to say living in New York and enjoying the practical, fast paced lifestyle that I adore has been fantastic. I have also lived in Paris several years ago, and that was just remarkable, I will always have those years in my heart, forever.
What have you learned from your career that you consider truly valuable?
A sense of fashion? (laughing) Just kidding, but yes that too! But truly, I’ve learned to be humble, always.
What advice would you give to aspiring models?
Do your homework when searching for a modeling agency. Plus, really look into the business you’re getting into in order to find out what it really is like, as it is not for everyone. Can you picture yourself wearing a heavy winter coat on the most hot and humid day of the summer for a shoot? Or being away from your family for months? Being a model is not only what you see in the magazines, there is a lot of hard work behind it, and if you do want to be a model, be yourself, believe in yourself, and always remember where you came from. The world is waiting for you.
What’s your biggest challenge as a model? 
To make time for myself.
So tell me, why do you love this picture?
Because even though it was for a fragrance campaign, it doesn’t look like a fragrance ad. Also, there is just me, my face nude and clean, nothing else to embellish.
Who was the photographer?
Mario Testino was the photographer, and even though I had previously worked with him for V magazine, I was as excited and nervous as the first time.
How long did this shoot last?
The shoot was done in less then  three  hours!
What direction did the photographer give you?
“Think of your boyfriend, think that you are seducing him…”  Or something like that… (laughs)
What was it for?
A new fragrance from Dolce & Gabbana that was coming out, called “Light Blue”
What were you wearing?
My jeans and a bra from D&G. I also had a lot of Vaseline on my face and upper body and my hair kept getting caught on it all the time.
What was the theme of the shoot?
I don’t think there was a theme, I can’t remember, but even if there was one I wouldn’t have known, my English was so limited back then and Mario’s Portuguese too…
Daniela Lopes is represented by Elite Model Management.

The Pig and the Muse

This week’s Model Musing involves a pig and a lot of laughter. Have a look at what the model-photographer Zuzana Lettrichova has to say after the jump, or below.

Model Musing: Zuzana Lettrichova
Being tall and skinny can be a torture for many teenagers, as Zuzana Lettrichova puts it, “it wasn’t exactly one of the beauty standards when growing up”; so modeling was definitely not in her radar. When she was approached by a model scout while roaming the streets of her home town in Slovakia she was surprised, but the support of her family played a big role in making the final decision to embrace this opportunity.
As Zuzana took off to explore the world, the only thing she absolutely could not forget to do every day was to call her mother, “to make sure her little daughter was ok and alive” as she reminisces.
Currently, Zuzana spends most of her time between Paris and Manhattan, where she calls home and explores more of her artistic side by taking photographs and making collages, a craft that she has grown to love.
Here we have an opportunity to find what Zuzana’s favorite modeling image is and why.
Why do you love this picture?
Because it’s a photo of a spontaneous and real moment; even now when I look at it, it makes me smile.
Who took it? Were you excited to work with this photographer?
Danish photographer Torkil Gudnason and some of the photos from this shoot ended up in his book “Torkil Gudnason – Selected Photographs 2005-2010”
What was so curious about this shoot in particular?
The presence of a 3 weeks old baby pig! It was a really fun job, it doesn’t happen so often that I shoot with animals, it brings a different vibe to the whole shoot and you never know what will happen because you can’t really control them.
Who else was in the crew?
Muriel VanCauwen for hair and Anne-Caroline Ayotfor make up.
What were you thinking when it was taken?
“Do not  drop him!”;  he was moving a lot and every time he was uncomfortable he started squealing super loud.
What direction did the photographer give you?
He said I should bring lots of energy and expressions, but he also gave me freedom to do my thing. I don’t think too much direction is necessarily a good thing.
What was it for?
French Marie Claire
Who was the stylist?
Laurence Alexandre
What were you wearing?
Victor & Rolf dress
What has modeling taught you about the fashion world that you didn’t know?
That as fun and glamorous as this industry looks like, it’s still a business!
What have you learned from your career that you consider truly valuable?
Being independent, confident and open minded.
What advice would you give to aspiring models?
Always have something else going on,  it is a very up and down kind of business so its important to have other activities and do something valuable with your spare time.
What would be your ultimate modeling job?
A big cosmetic contract or perfume campaign.
Is there a job that you absolutely would not do?
I can’t say what I would never do because it all depends on the situation and circumstances of  the job…
To see Zuzana’s photography and art work check out her blog. Zuzana is represented by Trump Models.

Comb

How many people can say they had their pubic hair combed by Tom Ford? Not many, but the subject of this week’s Model Musing column certainly can. Have a read after the jump or below to find out more about Christopher Camplin.

Model Musing: Christopher Camplin

Christopher Camplin is your regular handsome English bloke, a web developer who lives in London, he is also the perfect tale of the accidental model. Approached by identical twins at an after hours club one night, he was asked whether he would like to be presented as an option for a shoot with Tom Ford. At the time it didn’t seem like a bad idea, and it turns out he was in fact chosen for the part. Being naked in GQ was not what he was thinking when he signed up for this gig, but after a few shots of vodka he was ready to have Tom Ford combing his body hair, and as Norma Desmond would say, he was ready for his close up.
With a modeling career that was kicked off with one of the biggest blessings in a very  exclusive industry, Christopher’s path was set. A collection of selective and high end bookings have followed since then, always in parallel with his work as a web developer, as well as stints as a DJ here and there. Here he picks his favorite picture as a model and tells us a little bit more about his thoughts on the industry.
Do you think modeling is perceived by society in a different way for men than it is for women?
Not specifically, I don’t think society’s perception of female and male models is particularly different, models often seem to be regarded as unintelligent regardless of their sex.
Was modeling ever a dream of yours?
It was never something I’d really considered, I was scouted purely by chance and it gradually snow balled from there. I never expected to get more work after each job in the beginning. I still wonder now!
What were your most remarkable experiences as a model?
I would have to say Tom Ford combing my pubic hair or walking down on an elevated travelator for Walter Van Beirendonck’s “Dream The World Awake” video for a retrospective of his work.
So why is this image your favorite?
This was a recent shoot I did , for Lee Paton’s latest collection. I mostly love it because I got to work with the Huskies, they were beautiful and really well behaved.
Who took it?
The photographer was Lee Roberts, always a pleasure to work with – a lovely man.
What were you thinking when this picture was being taken?
“I want to own some Huskies.”
Was there a theme for the shoot?
The theme of the collection was an arctic exhibition.
Is there any advice you would like to share with aspiring models?
I didn’t really make any effort to become a model so I can’t advise on that, but… learn to be comfortable in your own skin and accept yourself is the advice I would give.
Christopher is represented by Models 1.

Supermodel of the World

This week’s Model Musing column on Look Books features the Brazilian stunner Liliane Ferrarezi.

Check it out by clicking here.

Model Musing: Liliane Ferrarezi

At the young age of fourteen, Liliane was instantly catapulted to fame in her native Brazil when she won (over 350,000 other contestants) her country’s round of the Ford Supermodel of the World contest in a televised event that aired on MTV. A position as the second runner up, out of 45 finalists, in the world’s final in Punta Cana followed, as well as an immediate contract with Ford Models worldwide. Talk about starting off with a bang. 
In the Big Apple, Liliane’s career rocketed to the top. Campaigns for Hermes, Calvin Klein, Burberry, Miu Miu and Michael Kors, among others followed; along with covers and editorials for some of the world’s most celebrated magazines like Vogue, W, L’Officiel, Allure, Elle, I-D and V – all shot by the industry’s top photographers. Liliane reached a top position in models.com’s coveted top 50 – place in which she stayed for more than three years in a row. 
Now married and back to the arms of her native Brazil, Liliane only comes out of her beach front home in Florianópolis for very special bookings. Macy’s was the most recent, in which she is the leading lady in an all things Brazil commercial that is an homage to the beauty of her native country. For this one, she didn’t have to go too far; the location was an iconic house designed by Brazil’s most renowned architect, Oscar Niemeyer, in Rio de Janeiro.
Here Liliane picks one among so many memorable images from her career and tells us why this one is particularly important to her.
Why do you love this picture?
This was one of my first bookings, I had to make different faces and poses and that was all new and challenging at the same time. I didn’t know how to model and I was surrounded by so many influential people in the fashion industry.
Who took it?
It was David Sims, he always asks us to make so many different poses and faces. (laughs)
What was it for?
W Magazine
Was this a long shoot given your level of experience?
I’m not sure how long, but it was a long, long shoot. I didn’t know how to model properly and having to pose in so many different ways was a little complicated at the time 
Was anyone else with you?
My mom; I was so embarrassed to shoot in front of her! (laughs) But she was always with me in the beginning, she gave me so much support in my career, and I was so young.
Was modeling always a dream of yours?
I wanted to be a model, but I wasn’t desperate about it.
What was your most remarkable experience as a model?
Winning the Supermodel of the World contest in Brazil, because in my head I never thought I would win, it really was a surprise!
What are some of the most valuable lessons you learned from being a model?
Giving value to my family, my country and learning different cultures from different countries are some important ones. I also learned to be more patient, because one of the qualities we have to exercise the most in this profession is patience 
What about this profession makes you happy?
Getting to know different people from different parts of the world. It made me grow up really fast, faster than all the other girls my age.
What’s your biggest challenge as a model?
I really wish a could live in Brazil full time and still get to work in the US and in Europe as much as I always did. This is my current challenge. I suppose this is what makes life fun and interesting, always having new challenges to conquer; I am sure pretty soon I will have a brand new one!
Can you give an advice to the young girls out there who dream of becoming models?
Trust your dream and pursue it. Never think it will be easy, because it really isn’t, but don’t give up, because it’s all worth it.
Liliane Ferrarezi is represented by IMG Models.

Proud Legend

Out today on Look Books is an interview I did with the legendary supermodel Beverly Johnson.

Have a read by clicking here.

Beverly Johnson: Proud to be a Legend

Many people are iconic but only a few are legendary and not many of these legends are alive to tell their stories. Today, Beverly Johnson is more active in her professional and personal life than ever. With a career that spans more than 40 years of history, Mrs. Johnson is a shining beacon of the modeling industry.
Being the first African American woman to be featured on the cover of Vogue, Beverly was given an opportunity to make a difference in the world not only for women of color, but to women in general. Proving that a successful modeling career goes beyond good looks, Beverly became the first “modelpreneur” launching books and a hair care and beauty line in partnership with Target. 
Most recently Beverly added to her credits her very own reality TV show, entitled “Beverly’s Full House”, in which the development of her company and the relationship with her daughter Anansa are open for public viewing in what has become OWN’s second most watched show of the season.
What drove you to do this docu-series on OWN?
It was the perfect opportunity to have my daughter around me. I knew that my daughter would never consent to going into therapy or any of the other things I had been involved with all these years, and she loves reality shows, she got me into reality TV, so she was thrilled with the whole idea, and that’s why I pitched  Oprah , it was a great way to get closer to my daughter and work in our relationship. 
So, now you are working on this docu-series on your life and company, but looking back on your career you have been in film, now you are on TV, you’ve done runway, you’ve done advertising and more. What are the mediums that you worked with throughout your career that excite you the most?
Today digital media is something that really excites me, I love the podcasts, I read several blogs, I tweet, I Facebook; it’s really about sharing your feelings with people and there is a connection there. I believe that the internet has really made us able to connect with each other like we never have before.
Can you point out a moment in your career in which you look back and you say “this is it, now I have everything I could have asked for and I am happy!”?
I knew that being the first woman of color in the cover of Vogue was something that nobody would ever be able to take away from me because I was the first and Vogue was and still is such an important media, not only in fashion but in the culture of America. So I always said that if I never get to do anything else, I have achieved a huge accomplishment! And that was in the beginning of my career, so it was all uphill from there.
How did it make you feel; were you blown away? Because when you went to shoot the editorial, did you know it was going to be a cover? 
No, in those days you never knew you would be the cover until you saw yourself in the stand. But I knew it was a big deal, it still is a big deal to be on the cover of Vogue, but I didn’t know what it meant to be the first woman of color on that cover, and what it meant for people of color around the world. I wasn’t prepared for that kind of responsibility to be thrust upon me at such a young age, but it gave me a purpose and kind of a road map of where I should go and how I should honor that achievement.
How do you feel about being called a legend, are you proud of the title?
What’s not to like!? It’s an honor to be acknowledged for your passion and work in life.
Beverly Johnson is represented by Trump Legends. 
Follow Beverly Johnson on twitter at @BeverlyJohnson1 and check out her website by clicking here

Influencer

Influencer of a Generation

The year was 1983, and the collaboration between Maripol and Madonna would enter history to become one of the most legendary and iconic trends in history. The punk influenced look, composed mainly by rubber jewelry and crosses created by Maripol for Madonna’s Like a Virgin album cover and music video became a fashion phenomenon however, that was just one among many projects in which Maripol had her hands on.

With a sharp eye for fashion and innovation, Maripol was not only styling looks but creating art and new concepts of her own. Working for Fiorucci as a creative director, she was responsible for all the buzz around their then famous New York store, which rocketed their designer jeans concept to fame. “We brought in Lamé Jeans on monday and by wednesday we didn’t have anymore left. Even Calvin Klein said he got inspired to do jeans by Fiorucci”, observes the artist.

The innovative rubber jewelry worn by the likes of Madonna and Grace Jones were completely created by Maripol in her NoHo apartment, in which she still lives today. The pieces became a hit, Maripol opened her own store and also worked on developing special merchandising for Madonna’s tour. On the flip side, becoming such a huge style icon back in an era  when copyright and patents weren’t really a priority, led Maripol’s company to a closure. “How can you survive when millions of people start making their most horrible supposedly rubber jewelry, which was actually made out of plastic? Mine was made of genuine rubber. I had a factory in Hong Kong, I had this dream to help the rubber industry in places like Malaysia and helping poor people by giving them work. Nobody else had that dream, it was pure greed! Now I know how it must feel to be Prada or others and see your knock off’s everywhere!”

Even though bankruptcy wasn’t ideal, it definitely did not stop Maripol in her tracks. Placed right at the core of the New York downtown scene, in the company of Andy Warhol, Jean Michel Basquiat, Keith Haring and Deborah Harry, the group was creating whatever they felt was relevant and exciting.

Going on to produce and direct documentaries like “Crack is Whack” and music videos for talents like Elton John and Cher, this artist experimented in all realms available. It was with the feature film “Downtown ‘81”, produced by herself along with Glenn O’Brien and Edo Bertoglio that she really transcended her time. The film, which depicts a day in the life of the then emerging artist Jean Michel-Basquiat, was the portrait of the times in which they lived in, made with love and honesty for their generation and the many others which would follow and admire them.

Throughout her career Maripol had a couple of common denominators: curiosity and a polaroid camera. Known widely for her work with polaroid pictures, Maripol’s work has been shown in museums across the globe and featured in top art and fashion magazines. A book, Maripolarama was published in 2005 featuring her most remarkable images, and most recently in 2010 a more complete look at her career was brought to our attention by Damiani in a book entitled Little Red Riding Hood. In this book we are invited to take a closer look at Maripol’s oeuvre, drawing a finer picture of who this artistic genius really is. 

Her work with polaroids is not over, nor is her passion for rubber jewelry. In 2010, while working on Little Red Riding Hood, inspired by an 80s resurgence that was in the air, Maripol felt compelled to bring her creations back to life. Like any good inventor, the light bulb went on and the designer decided to approach Marc Jacobs for a collaboration with his line Marc by Marc Jacobs. Maripol was taken to Marc by the resemblance of his Bleeker street store with Fiorucci’s back in the 80s. The return was a huge success via 17 pieces that included jewelry and t-shirts and brought attention to Maripols name and brand to another generation of hipsters.

Currently working on independently relaunching her line, she never seems to stop; but why should she? Not many can say they have influenced a generation. Maripol can.

Model Designer

Last week I sat for a talk with Inga Savits, an accomplished model who recently started her own shoe brand out of Milan. Her love affair with designing for fashion dates from long before her modeling years and it’s interesting to see how she took advantage of her work as a model to pursue her dream of becoming a shoe designer; and a great one too.

Already in her third collection, Inga’s designs have been spotted in red carpets across the globe and in collaborations with emerging french designer Alexis Mabille.

Have a look at the full article here or read below.

Model Designer: Inga Savits

After a successful career in front of the camera, some models open up night clubs and restaurants, others launch their own fragrances and skincare lines and many of them work in collaboration with large brands to launch fashion collections with their names attached to it. When it comes to Inga Savits however, it goes the other way around.
At the age of 19, Inga was attending fashion school in Estonia, her home country, when she was approached by a model scout while shopping. Puzzled by the idea of having an opportunity to see how fashion was done from behind the scenes, the student took that chance and went to Paris. Inga’s first job was with Mr. Yves Saint Laurent, in 1998. Inga spent a few days with Mr. Saint Laurent in his atelier, hair coiffed and red lipstick on, while he worked on his collection. “My eyes were open to see how he was making his dresses, what kind of accessories he was pairing with them, pretty much everything!”. After walking YSL’s famous catwalk, Inga was thrown into the arms of the fashion industry, which embraced and still holds her dearly.
During the time spent as a model in Milan, Inga met the shoe designer Brian Atwood, who then lived there. In observing his passion for shoes, Inga realized that shoe making was what she wanted to pursue in fashion. With more than a decade of experience as a model, it was time to dive into her long time passion and for that, she moved permanently to the Italian city. She was delighted to be closer to the shoe factories she worked closely with as well as old friends who constantly inspire her to create her own namesake line, Inga Savits.
Still unsure of whether she should go back to school to study the craft of shoemaking or not, Inga took some time to research the industry. “I went to a friend of mine who works at Versace and asked his opinion. He said I had the best teachers in the world, from Mr. Yves Saint Laurent to Galliano and Donatella Versace, teachers that most students would never have a chance to meet in their lives. In his opinion I was better off with the experience I had gathered as a model. He said if I went to school for shoe design I would not allow my creativity to take flight and could be restrained by the practicalities.”
Inga’s designs are a reflection of her years on and off of the catwalk, and are inspired by her life. The main goal is to create designs that are stylish and feminine without having to compromise in comfort and versatility. “Unfortunately in fashion when you say comfortable people think about medical shoes, or ugly shoes, and my goal is to show that it is possible to create very feminine shoes that can be comfortable at the same time. I had to learn to walk in very uncomfortable shoes, so now I want to make the type of shoe you can feel good about and wear anywhere at any time of day, I don’t want women to be fashion victims when I can combine both things.” explains the designer.
Production costs may be a little steep, but Italy is where she brings her designs to life; her goal is to really establish her brand at the top, so she only works with the best factories. Entirely self-funded, Savits explains that her business is the size it was meant to be, her goal with her brand from the start was to begin small and build up from there.
Already in her third season, scheduled to debut during the September shows in Paris, the designer has gathered great compliments from her peers and has even managed to secure a collaboration between her brand and the emerging French designer Alexis Mabille for whom she is also developing a second collection for his show.
Knowing exactly what she wants for her brand, and when asked if she would ever consider going into clothing, the answer is immediate and firm: “No! I could maybe do some bags, but not clothes. I recently started looking at some bags and was really interested in them, it would be a good complement to my collection, but at the moment I am really focused in expanding my shoe collections and establishing my brand in the market.”
Inga Savits is available for sale in New York at Patron of the New in Tribeca and on line at Feminin Rascal.
You can follow the designer on twitter at @IngaSavits  and check out her website at www.ingasavits.com

Thank You Palm Springs

Dan Murphy is a bright young fella. A model, entrepreneur and hockey instructor, he is the kind of guy you can sit next to and have a chat about nothing for hours. It doesn’t hurt he’s good looking too.

I featured Dan in the latest Model Musing column for Look Books, and you can have a look at it here or read below.

Enjoy!

Model Musing: Dan Murphy

Dan Murphy is not your guy if you’re looking for a fairy tale story of the boy that was found by an agent and turned into a superstar. After a short-lived career playing hockey in Canada, Dan decided he wanted to go where the sun and the palm trees were. Palm Beach seemed to be the right choice to study business management. While in school his friends encouraged him to take a drive down to Miami and try his chances with the modeling agencies to make some extra money.  After being turned down by nearly every agency, he found a ‘yes’ in the last call he made. 
With a manager by his side, Dan started a career that led him to the four corners of the world. Working for the best magazines in the industry and designers like Abercrombie & Fitch and Armani, Dan has enough experiences to fill a book. From hanging out on a beach with Kate Moss while eating ice cream, to spending time at Bruce Weber’s home in Montauk, it all adds to the incredible journey that has taught Dan some of his most important life lessons.
With great support from his family, whether financial or emotional, Dan has successfully established himself in an industry that is fickle and looks to the future with excitement.  At the moment this male model is working on combining some of his passions, which include hockey and flying airplanes, with the knowledge from business school to put together a charity yet to be named. 
Why do you love this picture?
This was taken on a really emotional day for me not long ago – a pivotal moment in my life and career. Of course, the depth of the black and white that Tony (Duran) is known for is incredible. At the same time however, I look at this photo and I am immediately feeling what I felt that day.
Were you excited to work with this photographer?
I had been talking to Tony Duran for over two years while I was on the road; discussing everything from fashion to childhood memories of Minnesota winters. By the time I found myself in LA working with him on this shoot we were great friends, so I was extremely thrilled to be working with him.
What direction did Tony give you?
He kept making me do less: “Stop thinking, just be.”.
Was this a long shoot?
By the time we were done taking photos and discussing how to solve all of the world’s problems it was 7pm!
What do you think is the biggest challenge in the modeling career?
Becoming / staying relevant in such a high turnover industry. 
Do you think modeling is perceived by society in a different way for men than it is for women? 
For women, perhaps fashion is seen as an exclusive glamorous feminine profession and means to express their creativity and beauty. For men however it can be perceived as “un-manly”, for the lack of of physical labor or corporate structure, almost as if being a model required a zoolander-esque mental capacity. I think of what I do as an intricate part of the sales process, whether it is an advertising campaign for a fashion brand or a catalog for a department store. It has become essential to me to be conscious of the type of fabric or shape of the garment for example, and how I can show these attributes best to make the consumer understand what it is and want to purchase it.
Do you think that it is more difficult for men than it is for women in modeling?
One of the biggest differences between men and women in this industry is that there are less jobs overall for men and that we work for a much lower rate than our female colleagues. Sure, some would argue that there are more girls than boys in the industry, but proportionally, it’s hardly equal. That’s not exactly an apples to apples comparison though.
What have you learned from your experiences in the fashion industry?
I think it is clear that we all need to count our blessings and appreciate what we have in our own way, we need to give back in whatever way feels right. We weren’t doomed to go through life being stressed out.
What has made you the happiest in being a model?
You must be very clear on why you want to be a model. When I first started I thought I was going to make a ton of money immediately; it didn’t happen. Then I wanted to use modeling as a tool to travel, so I packed up and lived out of a suitcase around the world for a few years straight; but that gets mentally exhausting. So I moved back to New York, and just wanted to stay put for a while and enjoy being in my country. My reasons for why I model have changed a bunch of times, and each time I’ve been able to use modeling as vehicle to do something I really wanted and in turn bring me happiness. If my reason from day one never changed from “make money immediately”, I would have never been able to experience the world and make the friends that I have. Not to mention you kinda have to enjoy the creative process and being in front of the camera,  which I love.

Follow Dan Murphy on twitter at @DanMurphy30
Dan is represented by Ford Models and Nous.

More than Followers

Who knew male models could be so smart and interesting? I did!

For many years I’ve had to defend my male model friends, as people see the profession in a very dumb and marginalized way. The same doesn’t happen with female models. But why?

In an effort to show the true beauty of men, I have now started to include them in my bi-weekly Model Musing columns on Look Books. My goal is to show the beauty that these men carry inside them, and to show that being a model is not only about looking good in the picture or having perfect abs.

Enjoy.

Model Musing: Fabio Nunes

It was when Fabio found himself in front of a camera and had the photographer ask him to “smile with the eyes” that he realized what it was like to be a model. Fabio’s career didn’t start by chance, his sister always said he would be a model. The minute the boy turned 16 years old, she took him to an agency near their small home town, in Porto Alegre, Brazil, for a test shoot. From that first shoot on, Fabio has accumulated trips around the world, jobs with renowned photographers and designers and a smoking hot girlfriend that would not have been possible if it wasn’t for his job.
The owner of his own business alongside his loved one, the model Carolina Fontaneti, Fabio took some time from his busy schedule to tell us why this picture means so much to him.
Why do you love this picture?
Because it’s me and my girlfriend, working together for Vogue Brazil. I really admire my girlfriend’s career as a model, she is a constant source of inspiration. It was a great pleasure working with her.
Who took it? Were you excited to work with this photographer?
It was Renne Castrucci, who along with Fabio Delai also created a video editorial. I really admire their work, they are great in what they do. These two do their job from their hearts, and you can see it in the images.
What was the location for this shoot?
It was a 500 year old coffee farm from Brazil’s colonial times; it was a truly beautiful and inspiring setting.
Who was the stylist?
Giovanni Frasson, the fashion director of Vogue Brazil.
What were you wearing?
Calvin Klein underwear.
What was the direction given to you by the photographer?
“Act natural! Think that you are in your honeymoon with your wife!” – and that was easy, is there anything better than that?
Do you see yourself doing anything else besides modeling?
I do;  in fact I do several different things at the same time. I know that most people who like to cook seem to think they are great at it, and I also believe I am. I believe I am a great cook and I would love to have my own restaurant when I reach my 40’s. I have also been contemplating doing something in real estate as an investment, but currently I am invested in this clothing store that I have opened with my girlfriend back home and in which I sell exclusive products with the help from my close friends who are a part of my sales team.
Do you love fashion?
I do, and I respect it a lot too.
And what have you learned from your career as a model?
I’ve learned that life is what you make of it. You can’t separate your personal life from work but you can’t also make of this connection something bad, you have to find balance so that with each moment you can become better as a person and as a professional. I love  the chance to meet new people through work and with that to see the difference between the good and the bad ones and to learn to differentiate what I  want to be from what I shouldn’t be. I learned that having a friend is more important than having a thousand followers.
Fabio Nunes is represented by Way Model and you can follow him on twitter@F1Nunes

Van Hoorn

In my Model Musing column two weeks ago, an interview with the Australian bombshell and musician Cheyenne Tozzi who is finalizing her first album to be released at the end of 2012.

Have a look and enjoy!

click here!

Model Musing: Cheyenne Tozzi

After releasing the musical collaboration with top DJ Carl Kennedy “Once Upon a Time”, Australian model Cheyenne Tozzi is excited for the next step: launching her first solo album, which she describes as a more soulful and heartfelt collection of songs she has written on her piano over the last five years. 
Cheyenne was born into a family in which modeling was just as normal as making tea; her mother and aunt were both very known faces in the modeling industry in Australia and by the time Cheyenne was fourteen years old she was already making her first moves into the same industry, when her big break came via the cover of Harper’s Bazaar Australia. 
Since then this blonde bombshell has graced the covers of publications likeCosmopolitan, Vogue and Grazia and traveled the four corners of the world a few times, but always escaping back to the loving arms of her family.
Now at the young age of 23 and more than a decade into her career, Cheyenne gives us the scoop on why this image is so special to her.
Why do you love this picture? 
It is very raw and innocent.
Who took it? 
Brook Coffey. Brooke is beautiful and so amazing to work with.
How long did this shoot last? 
20 minutes since it was really cold. 
Anything curious to report about this shoot?
It was almost snowing in Central Park and having this innocent girl with antlers like a newborn I think contrasts with the whole grown woman in a tuxedo.
What were you thinking when it was taken?
Where are my UGG boots?
What direction did the photographer give you?
It was very candid so it was almost as if she wasn’t there.
What was it for?
My album, entitled Van Hoorn
What were you wearing?
Dolce & Gabbana men’s tuxedo jacket (a tux includes pants), American Apparel suede bow-tie, vintage snake skin pants, white reindeer antlers and minimal makeup.
Do you love fashion or not necessarily?
I’m pretty simple but I appreciate how much work goes into it. 
What about this profession makes you the happiest?
Seeing the world and meeting new people puts a smile on my face.
And the most disappointed?
Being away from my loved ones, my home and missing out on my childhood.
What were your most remarkable experiences as a model?
Starting off with a Bazaar cover gave me the confidence to take on my modeling career. I love that I get to experience the greatest and most beautiful places in the world along with seeing the newest fashion before it hits the market as well as meeting wonderful people.
What advice would you give to aspiring models?
Stay in school, enjoy your childhood and let it come find you….
Do you see yourself doing something else?
Yes, I’ve performed my music all over the world with some of my favorite artists and am getting ready to release my first album this year.
What’s your biggest challenge as a model? 
Staying in shape when there is so much good food around the world.
Is there anything about the modeling career that you would change if you could? 
I wish everyone could see the beauty that is inside everyone.
You can follow Cheyenne on twitter at @CheyCheyTozzi
Cheyenne is represented by Priscilla’s 

In Bloom

This week I spoke with the Dutch model Lisanne De Jong for my Model Musing column at Look Books.
Have a look at the full story here or read below.
🙂

Model Musing: Lisanne de Jong

Lisanne de Jong is one of those girls that is almost too smart to be a model, but in her career she has taken her smarts and put it to good use. Lisanne recognizes how helpful this career was in turning her from a local girl into an international woman and appreciates every second of it.
From the moment when she was discovered in Amsterdam when she was fourteen, Lisanne was very interested in the adventurous side of the business, roaming the world and meeting people were extremely appealing to her. She finished school first, and only then took a second look at that modeling opportunity.
The offer was still standing and the modeling world took her with open arms. It all started with a Prada exclusive booking in the summer of 2010 that then led to a series of blue chip bookings that included campaigns for the biggest fashion houses in the world, including Balenciaga, Celine, Missoni and Burberry; and editorials for W, V, Vogue Russia, Interview and Vogue Japan.
Here Lisanne picks her favorite image from her career so far and looks back on her four years in the business. 
Why did you pick this image?
This is a picture I did for Dazed and Confused, the editorial was called “In Bloom” and I love this picture because of the power behind it; the colors and the shape make this picture incredible to me.
Who took it? Were you excited to work with this photographer?
Viviane Sassen took it. I was very excited to work with her, she is very talented,  She is also Dutch, it is  always fun to work with people from my own country.
What direction did the photographer give you?
I was allowed to do anything I wanted which was great. I was running and jumping around. It was a lot of fun, because there were no limits. Sometimes I would jump and fall over in the fields, but anything for an amazing picture! 
You seemed to be in a stunning environment; was there anything curious about this shoot?
This is what I also love about this picture, it was shot in Holland, in the tulip fields. We have these flower fields only once a year, for two weeks during spring and they are amazing. There are loads of different colored fields that can go for miles, it is one of the things that Holland is famous for. We went to the farmers houses and asked if we could shoot between the tulips, and he was happy to agree. They told us they don’t even use the flowers, just the bulbs in the ground, to sell. Also, it was extremely good weather, the sun was shining constantly for those two  shoot days.
What were you thinking when it was taken?
I was just having a lot of fun, and wanted to create this effect of being a flower in the fields.
 Who was in the crew?
Styled by Katie Shillingford, make up by Irena Ruben and the casting director was Noah Shelley for AM casting.
What were you wearing?
I was wearing a lot of layers, which made it look very cool when I was air bound. Also in every picture I’m wearing tutu’s which make the shape almost look like a flower.
Do you love fashion or not necessarily?
I’ve always been quite interested in fashion, when growing up I used to read magazines, and cut out clothes that I liked and make a poster out of it. Or I would cut out nice advertisements and hang them in my room.  I love wearing nice clothes. When I see brands like Celine, Prada or Balenciaga (my favorites), I’m always amazed by the designs. So beautiful and inspiring. 
What have you learned from your career that you consider truly valuable?
I have learned a lot over these four  years. When I look back on when I just started modeling, I was a completely different person. I was still a child when I started, and I’ve grown up so much psychically and emotionally. This industry made me a stronger person. I’m happy that I did it, because when I started out I was quite shy, it made me more open and I feel much more comfortable about myself.
What advice would you give to aspiring models?
Don’t take things personally, don’t take everything too serious and enjoy every moment.
You can follow Lisanne on twitter at  . 
Lisanne is represented by New York Models.

American Beauty

Click here and have a look at the latest interview I did for Look Books. This week I spoke with Claiborne Swanson Frank about the launch of her latest book American Beauty, out now in stores worldwide and published by Assouline.

Enjoy!

American Beauty: an Interview with Claiborne Swanson Frank

The more you stare at Claiborne Swanson Frank’s portraits of women, the more your mind wonders – Who are these women? Where did they come from and what was the message about themselves that they were trying to convey when they sat for these portraits? The image that initially could seem banal starts to tell you stories that could come from some knowledge you have about that person, but also tales of a life that solely lives in your imagination, because for many, the subject of the portrait is unknown. It’s almost like staring at the Mona Lisa and trying to understand what was going on at her time, what drove her to sit for that portrait and what her life was like.
In American Beauty, Mrs. Frank wants to tell us stories of success and achievements, of women who excel in what they do, women who had a dream and a vision for themselves and followed through with it, and through their lives bring out the true beauty, that for Claiborne lives in women everywhere.
Throughout more than one hundred portraits amalgamated in this book you get the opportunity to know at least a little bit about the lives of these women, and you get to understand why the photographer felt inspired to shoot them. Through these portraits you also get the opportunity to learn a little bit more about the author, since much of her passions and inspirations are reflected in the subjects of her photographs.
Here Claiborne shares her thoughts on her most important creation thus far, the book American Beauty.
In your book there is a quote by Carrie Latet about never waking up from the American dream. Do you feel you live the American dream – or at least what that would dream would be like nowadays?
I’ve been so blessed and I am so honored, I am definitely living my dream, but I believe the American dream is more about the idea of reaching for your greatest potential. Each of the women in this book for instance, are a product of their own American dream, and that is the message here, I have never met two women with the same dream, they all come from different places and have different stories to tell, and I tell their stories through portrait.
What was the criteria when choosing your subjects?
As an artist I have to be inspired and these are all women who are contributing to society in some way, but then there was an intuitive choice and the inspiration I felt coming from these women.
Through this experience of discovering the lives of these women, did you also come upon things about yourself that you were unaware of?
Definitely! This project started out as a portfolio of my work, which took the form of an exhibition, which then led to this book. Because I wanted to have a genuine collaboration to show who these women were I think I also grew into myself and who I was meant to be, I became an artist. It’s been a true gift to follow my own heart and vision and learn that I didn’t really know who I was before.
Did you know from the start that you would have such a diverse group of women as a result of your work?
I was thoughtful about that and I wanted to celebrate diversity, the country is in a different place now, and over the past ten years women have taken a different place in society and what they represent to American women. Even looking at myself I see such a mutt, I am American with a Cuban, Swedish, German and French mix and that’s also why I love asking people when I meet them what is their background, because what makes us so beautiful is our mix.
And how about the men in your life? Will they have the opportunity to show their beauty through the lenses of your camera?
Not really, I don’t think so; I have an amazing husband and I love men, but my ability and comfort zone is in finding and trying to capture the beauty in women, to me women are the perfect representation of beauty, and that’s what I like to photograph, that’s what inspires me. Also, I find that most men don’t like to be photographed nowadays, and I think it’s a shame, men used to enjoy being documented at some point and it changed with time, but I do believe that every great man should have a great portrait. 
American Beauty is published by Assouline and is available for purchase atAssouline boutiques worldwide and online.

A Ride with the Dolphins

Another week, another Model Musing, this time with Carolina Fontaneti.

Have a look at it here or read below.

Model Musing: Carolina Fontaneti

From a very young age Carolina Fontaneti knew she wanted to be a model, with support from her parents she signed up for the Elite Model Look contest back in her native Brazil; but it wasn’t until three years later, after she concluded her studies in high school, that Carolina really took on modeling as a full time job. Carolina’s mother used to tell her that  she raised her kids to embrace the world, and this one certainly listened. 
Since then her mileage card has been filled a few times while traveling around the globe  for jobs that include editorials for Vogue, L’Officiel, Elle and Marie Claire and campaigns for L’Oreal Paris, H. Stern, Elle by Yves Saint Laurent and a Dunhill Fresh Fragrance commercial that put her in a James Bond inspired setting as the sexy counterpart of the secret agent in question.
Carolina looks back in her career and tells us why she likes this picture so much.
Why do you love this picture?
Because it had always been a dream of mine to swim with the dolphins, and this picture not only allowed me to make a dream come true but it also gave me a very unique moment, a moment of profound intimacy with nature in an environment that is so unusual for humans. The feeling is indescribable.
Who shot this?
It was a photographer called Lothar Schmidt; I had never worked with him before and that is something that always excites me, because in that lies the opportunity to meeting another great person, and Lothar was definitely all that.
Was this a long and difficult shoot, considering it involved Dolphins and an underwater setting?
This particular shot was very quick because the dolphins can get stressed after a while, so we shot this very quickly and moved on to something else. The entire shoot was done in a couple of days. The whole experience was wonderful, because we were in a heavenly setting; on a Tahitian island, it couldn’t be better, the weather was perfect, the food was delicious and the hotel was stunning. The experience of shooting in the open ocean among sharks and stingrays is unforgettable.
What were you thinking as they were taking this picture?
All i could think was how rubbery the dolphin’s skin was and how unbelievable that I was “riding” him!
What was it for?
Madame Figaro
Who was the stylist and what were you wearing?
The stylist was a sweet French girl, her name is Julie, i can’t quite remember her last name, but she used to call me “little mouse” for some reason… I was wearing a Louis Vuitton swimsuit.
Do you love fashion?
I like fashion, I like that it is another way of artistically expressing your feelings, I believe that many designers create their work like that. 
Do you see yourself doing something else?
Definitely! In my veins there is artistic blood. I love to create, to express myself with words, I am constantly creating something, it keeps me moving forward. I want to play the piano, I want to dance, sing, paint, write; I am inspired by my feelings by the restlessness of the soul in expressing itself in different ways.
What advice do you wish was shared with you in your early days as a model?
To be patient, to study myself and the market, to know where my place is in it and to always try to bring out the best in myself and to share that with the ones around me.
You can follow Carolina Fontaneti on twitter at @CarolFontaneti 
Carolina Fontaneti is represented by Elite Model Management

Dreaming Awake

Danny Roberts is a a very inspiring young man. At the age of 13 he was already creating his own t-shirt line and by the time he was 23 he was already making collaborations with brands like Lancome and Harajuku Lovers. Not many with twice his age have.

I was fortunate enough to interview him for Look Books and you can read the result right HERE.

Enjoy,
x

Dreaming Awake: An Interview with Danny Roberts

Hailed by magazines like Elle, Teen Vogue, Vogue Italia and Vogue Spain as “the one to watch” in fashion illustration, Danny Roberts is very humble about his accomplishments. To him, being recognized by something he does purely out of love is surreal and a blessing, but to the fashion world, it is seen as well deserved.
A talented artist from a very young age, Danny always had an interest for fashion and art, which he put to use for a small line of t-shirts he created when he was only thirteen. The t-shirt line continued to exist for another seven years, paralleled with Danny’s incursion in fashion design school and his production of drawings and paintings that were inspired by his favorite muses: the models in the fashion campaigns and magazines.
Fueled by the likes of Gemma Ward, Ali Michael, Tanya D. and Polina Kuklina, the artist produced hundreds of portraits which were then sent by him to his subjects as a way of thanking them for the inspiration. By word of mouth his work spread through the internet via his blog Igor and Andre and became a sensation. Collaborations with designers like Rachel Antonoff and brands like Lancome, Forever 21 and Harajuku Lovers (owned by the pop star Gwen Stefani) have been added to the long list of accomplishments that this young man has accumulated. 
Here, Danny Roberts shares with us his thoughts on art, the future in fashion and the things that make his life more like a dream.
Your work is very romantic and ethereal; would you say that your inspiration comes from a “dream world” or perhaps a vision of what you would like things to be like?
Yes, my inspiration comes most definitely from places outside of this world, or by images or models that look other worldly. I’ve always been a bit of a dreamer, and as far as I can remember, throughout the days I daydream about the imaginary world. I am really drawn to images or pictures, and I try to create images that remind me of that world.
In your work I see a little bit of Francesco Clemente, as well as Egon Schiele. Are you familiar with their work?
I am not familiar with Francesco Clemente, but I am familiar with Egon Schiele’s work. I actually first found out about Schiele in my first drawing class at The Academy of Art. It was a figure drawing class and my teacher told me she thought my drawing looked like his. So I looked him up that night and fell in love with his work, I am a big fan.
Your work as an artist has brought you closer to an industry which you admittedly admire and want to be a bigger part of. Was that your intention when you started drawing and painting?
No, actually I went to school for fashion design, and I was planning on being a fashion designer. It just so happened that my first few classes were fashion illustration, and my teachers told me that I should pursue Fashion Art & Illustration for a career, so I took their advice figuring I could always do fashion design at a later time.
How was your reaction when you were approached by Harajuku Lovers for a collaboration?
I remember it was early in the morning when I read the email, and I read it over like three or four times before it sunk in that Gwen Stefani had seen my artwork before. Then I spent the rest of the day with a big childish grin on my face. It was an awesome feeling.
What do you consider to be your most significant collaboration thus far?
The cover for The Sunday Times Magazine from London was definitely the most special collaboration. It was the biggest honor to have my tribute portrait of Alexander McQueen in the cover of a magazine in his home town. He was by far my favorite fashion designer.
Do you see fashion as a form of art?
Yes, most definitely, because it takes imagination to design fashion.
How do you see the future of the fashion industry with so many technological advances?
I think the technological advances are going to make the fashion industry more open to its consumers. Already, I’ve seen a few brands launching ways for their customers to customize their clothes to fit the individual. I also feel new technological advances will allow a next level of access and interaction with every area of the industry.
Vogue Italia on-line said “One may get lost in wonder observing as He proceeds to give shape to his illustrations – and I believe artist Danny Roberts is perfectly aware of that, considering the countless videos on YouTube showing the artist in the act of painting.” – now, are you aware of that? And how did the idea for the videos come to be?
(laughing) Well, the whole idea of time-lapse videos of me drawing came to me one day when I was thinking that if my favorite artists were alive today, what would I like to see more than anything from them? I thought it would be amazing to see them painting and drawing, and it would be great to see their process from start to finish. So I thought it could be something that my blog readers would enjoy.
What is your ultimate dream as an artist?
To be able to create the things I dream of without any limitation.
Follow Danny Roberts on twitter at @danny_roberts
You can also follow his blog, Igor and Andre at @igorandandre

The Horse as a Muse

In my comings and goings in the fashion industry I meet many interesting people, and Nick Turner is one of them. He is a photographer, a painter and an illustrator with a passion for horses, women and the nature.

Rather young but with a truly moving body of work, Nick never ceases to amaze me.

Have a read at THIS interview I did with him for Look Books.
🙂

Nick Turner, His Horses and His Muses

Born in a family where the matriarch was an artist and in which both parents also had the artistic vein, Nick Turner was surrounded by art and artistic expression, these are the things that make him who is is today. Born in Boston, Nick grew up in Maine and was home schooled until the age of fifteen. His next adventure was to be in France to continue his studies, where he remained until he concluded his Baccalaureate at the International School of Toulouse.
Nick was fortunate enough to be accepted into Parsons Paris campus  so he packed his bags and moved to the city of lights. During his attendance at Parsons, Nick developed a long and debilitating depression and found solace in his art work. It was at that time that he came to meet the photographer Francois Rousseau, who was then working on the book called “Atelier”, inspired by Patrick Grainville’s novel “L’Atelier du Peintre”. Rousseau cast Nick as one of the main characters in this photography book, playing the role of the tortured artist, which was a natural fit for Turner. Rousseau and Nick developed a great friendship/mentorship that made Nick realize that art was a passion that should be seriously pursued.
Shortly after that, Nick moved to New York to conclude his studies at Parsons. Arriving in the Big Apple was a shock, Nick had never set foot in the city and was impressed by its speed, with cars, lights, people and noises coming from all sides, he recalls “walking in the shadow of so many tall buildings and places only seen in films”; his life felt like a movie.
In New York Nick’s work took flight and and caught the attention of the right people. Nick started shooting models in the style he likes best, raw, natural and most of the time, surrounded by nature. In constant development, his work continues to move and attract the eyes of the most influential people in the city, like the Clic Gallery, who currently holds some of Nicks photographs in their Manhattan and East Hampton locations.
Mr. Turner is currently working on his second solo exhibition and his first book project, all raw and natural, as he likes best. Here the artist shares a little more about his passion.
Who are some of the artists that influence your work and why?
I grew up around artists, my grandmother was a painter and I spent a lot of time watching her work, as I’m getting older I can definitely feel her presence in the way I’m working or thinking. Of course there are some of the more well known artists I really love, Jenny Saville is by far one of my favorite painters, I recently saw some of her work at the Gagosian Gallery in NYC and was blown away by seeing her portraits in real life. I also am very inspired by Peter Lindbergh’s photographs. Its more real to me, often very documentary feeling and I love that. I also really admire Russell James and how he shoots women, think there’s something so clean and elegant about his photographs.
I see in your work a very intimate and loving relationship with horses; why horses?
Yes, well, I grew up riding horses in shows in Maine. I have always been very calm around horses and share similar instincts with them. Things affect me very much from people or situations I’m around; horses are very sensitive creatures and sense other people which is what they react to, I feel connected to them. When younger I would ride in a saddle and be very appropriately dressed for riding. I now ride bareback most of the time, to me theres nothing more inspiring then the feeling of the power of a horse beneath you and feeling every movement it makes when on its back. They also symbolize something I am searching for in other aspects of life as well, purity, truth power and beauty all combined. Theres a quote by Winston Churchill that always makes me smile when I say it in my head because it feels so true to me: “there’s something about the outside of a horse that is good for the inside of a man”. 
What is the relationship between the women you portray and the horses? 
I think us humans are not as evolved as we like to think we are, we are still animals by nature. I think women and horses share the same attributes, beauty and strength, power and sensitivity. I am constantly looking for that when I am shooting women and horses, even as separate subjects. I want to portray them in a certain light. Finding the connection between the horse and woman together has been driving me for a while in my head. I think its hard to explain in words sometimes the emotions I am seeking in the images I am striving to shoot.
You seem to be most comfortable with painting and photography – are there other forms of art that interest you?
Indeed there are,I actually was educated in drawing and painting, photography just happened naturally over the last few years. Film is what I really would like to do. Short films at first but down the road I would like to work on much larger projects. When I am working especially on location I always see things in a very cinematic way, not just one still photo. 
You have set sail to secluded beaches in Iceland and Scotland, what made you chose these places?
I am always drawn to desolate, raw, empty spaces, the energy there is always so peaceful and inspiring, I feel alive in locations like that, to see and feel nature in a “real” untouched fashion, without much social interference. The environment I think is very important and I think even when looking at it from a “beauty” or “fashion” perspective, the savage, natural or raw beauty in humans or nature is always the most powerful and inspiring to me as an artist and a man. Nature has already created so much beauty on its own.  In the ocean, the black beaches in Iceland, mountains and volcanos, you can feel the power of beauty in these locations not just see it, thats very important to what I want to portray in art. I think depth in art is important, beauty should be limitless and fearless. I tend to get very claustrophobic in studios and in cities if i stay for too long. 
What is it that you look for when you are shooting your models?
Sincerity, honest and real moments, I try to keep things as natural as possible not too much crazy posing or models trying to be models. I really am interested in shooting the real women. I get frustrated easily sometimes when shooting if I feel the subject isn’t being completely open to me or trusting me. I feel what the subject feels through the lens and it is very important to have some kind of honest connection between the subject and photographer. I like to work very organically and let the shoot naturally evolve. I think shooting is very similar to painting, it’s a process that isn’t something forced or else it tends not to work. 
If there was one woman you could work with as a subject of your photography and painting, who would it be?
Lara Stone, her face and body are the most animalistic I think of any women I have seen. Especially with the project I am working on about horses and women portraying this strong and very raw beauty I think she inspires me the most.
What is your biggest dream as an artist?
I really just want to be able to create the images and projects I have in my head. To have freedom to make the work you are inspired to make and hopefully touch people on an emotional level, thats really the best thing I think.
Do you think there are limits to our dreams?
Absolutely not, only the ones you set for yourself but I do think there is a lot of patience to be developed if you really want to achieve your dreams, thats something I am learning very slowly myself, patience and learning from each experience to make the next one better and more productive. Constant improvement and change, I always think things can be better or I could have done a better job shooting. Theres a consistent need to be better and that seems to push my dreams further and further past the previous “limits” or  images I had envisioned.  
Visit Nick Turner’s website to see more and follow him on twitter: @nickodt
Smart Magna has also reposted this same interview, and you can find it HERE.

Warm Winds

bharti+2.jpg

In an evening when the art world had its eye looking to the Armory’s Gala Benefit; Hauser & Wirth Gallery managed to attract a very selective crowd to the opening of Bharti Kher’s exhibition entitled “The Hot Winds that Blow from the West” where five new pieces by the admired London-born, Delhi-based artist are now in view.

Welcomed by “A View of the Forest” a beautiful multi green-toned piece composed by Kher’s now famous bindis, we are ushered through the hallway to meet “A line through space and time”; a staircase in an empty room that leads up to nowhere, a remarkable piece of work covered by sperm-shaped bindis and that could be an invitation to a more fertile time in life, or perhaps the opposite, we wonder. The bindis, more than a fashion accessory in the Indian culture and constantly present in Kher’s work since 1995 are as she explains “meant to represent a third eye – one that forges a link between the real and the spiritual-conceptual worlds.”

The heavy weight radiator-composed piece in the back room gives name to the exhibition and could probably benefit from a larger space, but it is an astonishing work of art none the less. For this piece the artist sourced 131 radiators from the United States, the west, over the course of six years and shipped them to India, the east, where it was assembled.

The title of this work references The Loo, a fiercely hot and occasionally fatal summer afternoon wind that blows across North India and Pakistan. “We think of winds as harbinger of change, carrying voices of transformation”, Kher has said. “From where I sit, the winds blowing nowadays from the west – from the places that were the seats of power and authority throughout the 20th century – are no longer as strong or reliable as they were.” Traveling east these radiators, symbol of domestic comfort in the west, lost its purpose and the artist continues to offer explanation; “I suppose I am sending them back to the West as messenger and, perhaps, warnings. Other voices are changing the landscape now and political uncertainties have put the world in flux.”.

On the second floor however comes the most brilliant and breathtaking piece, shown last spring at the Centre Pompidou in Paris, “Reveal the secrets that you seek” throws us in a room of wonders composed by 27 shattered mirrors covered by bindis, this entire room feels warm and inviting, and the broken mirrors, which to general belief would symbolize bad luck, in this case are binded by the bindis that call out just the opposite and show us that even when shattered to pieces it is possible to find beauty and reconciliation.

The last piece, “The messenger”, shines on it’s own, in a striking yoga position, balanced by it’s own weight, as a yogi would, this fiber glass sculpture is described by Kher as “an urban witch, a woman of both mythology and everyday life, a hybrid” and the effect is haunting. This sculpture is the most recent in a series of figurative works in which Kher has presented hybrid beings that conjoin contradictions of gender, species, race and role. For this work the artist has drawn upon the attributes of the Hindu goddess Dakini, who is considered the manifestation of energy in female form, which in this case is also partly animal.

An astonishing accomplishment for Hauser & Wirth, this show is overall a breathtaking display of Bharti Kher’s brilliance.

The Multitasking Supermodel

Many years and many models have gone by, but not many remain as active and inspiring as the lovely Ms. Claudia Mason, whom I had the pleasure of representing during my time working at Elite Models.

Claudia doesn’t settle down, she writes, produces plays, directs, wins awards, shoots movies, dances and in whatever time she has left, she models. It’s breathtaking.

Allow yourself to be taken out of breath too in this week’s model musing column, just follow THIS link!

🙂

Model Musing: Claudia Mason

With a passion for the arts, Claudia Mason is one of those girls that rose to stardom in the supermodel era, alongside names like Christy Turlington, Claudia Schiffer, Linda Evangelista and Naomi Campbell; Claudia had her brand established in the fashion industry right from the start. Discovered in a music store at the age of 13 she was attending New York’s prestigious School of American Ballet and was a very serious student. It wasn’t until she was 15 years old that things became really serious, and from that moment on she didn’t stop. Claudia’s first booking was for Vogue, and from there on Elle, Wand Bazaar followed, always shot by names like Bruce Weber, Mario Testino, Arthur Elgort, Patrick Demarchellier and Steven Meisel, to name a few.
Long and languid, Claudia was a queen of the runways, and soon also became a must-book for top campaigns. One of Gianni Versace’s favorite models and repeatedly used in his campaigns, she also modeled for Fendi, Valentino, Christian Lacroix and many others.
Claudia then went on to host MTV’s Fashionably Loud, starred in an Enrique Iglesias music video and caught Hollywood’s attention. The pursuit of the acting career lasted a few years in Los Angeles until fashion took her attention once more. In the same year she was receiving awards for her theater production of Tennesse Williams’s Orpheus Descending and superstar stylist Katie Grand repeatedly booked Claudia for Love Magazine and Vogue Russia.
Here, Claudia reminds us that acting, producing and writing are still the leading roles in her life nowadays. Duly noted.
Why do you love this picture?
I love this picture because it’s old school movie star glam! It is from a LoveMagazine spread last year, and it’s one of my favorite recent pictures of myself.
Who took it?
David Hughes was the photographer and Phoebe Arnold was the stylist! Great team!
How was the shoot like?
It was a one day shoot in London, and it was freezing cold and snowing outside! December 2010 I was relieved to be shooting inside, with heaters around.
What were you thinking  as you were shooting this?
I was thinking how uncomfortable I was in that position, as my neck was ‘resting’ on a concrete sharp edge. Ah fashion!
Did you receive any direction from the photographer?
The photographer wanted ‘relaxed glam’.
Were there any wardrobe malfunctions?
My nipple popped out a couple of times – nothing major.
What was the theme for this shoot?
It was a jewelry story, so it needed to have an expensive air to it. Relaxed decadence.
What was your biggest challenge as a model?
Biggest challenge as a model is to not take my career for granted, as it has been so good to me.
Are there any regrets?
I would have liked to have had more fun when I started modeling.
Was there a modeling job that was so incredible that looking back it almost feels like a dream?
I’ve had so many great modeling jobs, but one that stands out is when I shot an Anne Klein campaign with Steven Klein, and there was an elephant in the studio! 
What is your dream modeling job?
My dream modeling job would be to have a cosmetics contract. Also the Bulgari campaign. I love that they use actresses such as Rachel Weisz and Julianne Moore.
What have been your most recent dreams?
I currently have nightmares only! But, a current dream would be to work with Woody Allen or Alexander Payne. Also, to be performing my one woman show that I’m currently writing.
What was your love at first experience; modeling, acting or dancing?
I fell in love with ballet as a little girl. But then again I fell in love with being in front of the camera and on stage as well. I used to perform at home in front of the mirror as a child.
You can follow Claudia Mason on TWITTER @ClaudiaMason1

Iconography

Very rarely I come across people that are truly inspiring. It takes a lot to wow me nowadays, i don’t know if it is the kind of work I do and the amount of impressive people I meet constantly, but I find myself being inspired by little things and certain characteristics rather than the entire “body of work” of a person. Eileen Ford had that quality, that “body of work”; her life story was a true lesson. Her passion and the way she carried her life and her business alongside her husband Jerry were truly moving.

When I spoke to her for this article I wrote for Look Books I was truly moved and completely humbled, here it was, a true legend of the fashion industry, a woman that broke the standards and set brand new ones for all those who followed. Eileen Ford had a dream and a passion, she believed in them and never gave up, building a family business that is now larger than life.

Have a read at the full article in THIS link – it’s long, I warn you, but it’s totally worth it!
xx
Gabriel

Iconography: Eileen & Jerry Ford

In fashion there is much talk about the legacy left by designers, photographers and magazines, but not many people look at a vital piece of the industry that connects all the dots: the modeling agency. Eileen and Jerry Ford, as you can probably tell by their name, were pioneers, founders of the Ford Model Agency, now simply known as Ford Models. One of the most established and recognizable brands in the world with offices spread throughout the continents, Ford is also the oldest and longest running modeling agency in the world, a true landmark of the fashion industry. For many people, the names Eileen and Jerry Ford won’t mean much, but in the small world of fashion, they are synonymous with royalty.
Eileen Otte met Gerard W. Ford in 1944 outside a drugstore near Columbia University, where he attended school for midshipman as part of his service with the United States Navy. The couple fell in love and got married later in that same year in San Francisco while Gerard, also simply known as Jerry, awaited to be shipped out to sea for the World War II.
With Jerry’s departure, Eileen returned to New York where she started working as a secretary for a photographer, as well as a stylist and a fashion reporter for the Tobe Report. While working in the photography studio, Mrs. Ford would constantly meet models and from those relationships, soon enough she also started working as a secretary to some of those girls who felt their agency wasn’t efficient enough in taking care of their bookings, therefore, having their own secretary would guarantee that their clients would get the attention they needed and the girls wouldn’t lose any jobs to other models.
Upon Jerry’s return from the war, he resumed his studies at Columbia University, for Business/Administration, while Eileen continued to work for the models out of her father’s apartment. As business grew and Eileen acquired more models, she and Jerry came to the conclusion it was time to expand business and make a more serious investment towards it. Jerry saw how much passion Eileen had for her new found career but above all he saw great potential in it, as her success was increasing continuously. Jerry and Eileen then sold their car and moved their business into their own location at 949 Second Avenue, in Manhattan, above a woodwork shop. The location wasn’t the most glamorous, but it was their own and  it would give them room to grow and expand their business. At this point Eileen was about to give birth to her first daughter Jamie and would have to step out to take care of her baby, that’s when Jerry decided to step in to help, and what was supposed to be a temporary thing turned out to become a passion for him too.
With a great reputation for honesty and efficiency the Fords attracted a high volume of models and guaranteed the return of a huge clientele. There was no such thing as delayed payments and missed calls with the Fords, and even working out of a small office the couple managed to become one of the three most successful agencies in the country, grossing an average $250,000 in a year. Threatened to be put out of business by their main competitor, the agency Huntington Hartford, who said they would implement a weekly payment system through the use of vouchers, an innovation at the time, Jerry and Eileen  made yet another investment and pulled some money together to quickly implement the system in their own agency, which at the end turned out to be the best decision.
Representing talents like Jean Patchett, considered by Eileen the best model she has ever seen, the couple’s careful managing skills attracted the attention of the iconic model Dorian Leigh, who by then also owned her own agency and was dissatisfied by the management her younger sister, Suzy Parker was getting from her managers at Huntington Hartford. In a smart and excited move, Eileen and Jerry signed on a pregnant Dorian Leigh and her young sister Suzy, without having even met the girl. Suzy was the opposite of her sister, tall and red-haired, she was different from any other girl available in the industry and went on to become the most famous and recognizable fashion model of the 1950’s, breaking boundaries and becoming the first model to achieve superstar status, headlining fashion magazines and making appearances in Hollywood films; Suzy Parker was a sensation and one of Ford’s biggest triumphs.
The Ford Model Agency had become the biggest in the world, working closely with Dorian Leigh’s agency in Paris they formed a successful network that guaranteed a rewarding career to the models they represented. With a keen eye for innovation, the Fords never limited themselves or their models. Dovima, one of the most iconic models of all time and known for Richard Avedon’s image “Dovima with Elephants” went on to become the highest paid model in the industry and earned the nickname of the “Dollar a Minute Girl” making an average $60 an hour. Following her modeling success, Dovima was given a speaking role in 1957’s Paramount movie Funny Face.Dovima showed great comedic talents in that role and her part in that movie opened the doors to other models, like the then famous Suzy Parker, to develop careers in the movie industry too.
Yves Saint Laurent once said that “a good model can advance fashion ten years”, but a good modeling agency and managing skills have proven to advance an entire industry. 
By 1974, The Fords were at the top of their game and had no competition, they had invented the contract for models, in which a model would exclusively represent a specific brand, securing higher fees and better exposure. Jean Shrimpton’s contract with Yardley of London was the first one and Lauren Hutton and Evelyn Kuhn are said to be the first models to ever have exclusive contracts with Revlon, which then became and still remains one of the most sought after contracts in the industry.
With names like Candice Bergen, Ali MacGraw, Jerry Hall, Christie Brinkley and Rene Russo in their roster, they were unbeatable and were billing an average of $100k per week, as told by Mr. Ford to the The New York Times at the time. Even after the opening of the french powerhouse Elite Models’s office in New York, the Fords remained strong and ahead of the game. Always competing head to head and starting the “model wars”, in which models would switch agencies constantly according to who would make the better offer.
The Ford business remained strong and innovative, always together, Eileen and Jerry continued to pull through with passion and belief in what they were building. In the eighties the ever creative couple started the Ford Supermodel of the World contest, that remains to this day one of the largest modeling competitions in the world, moving hundreds of thousands of submissions yearly and from which talents like Victoria’s Secret model Adriana Lima have emerged.
In 1995, after 50 years in charge of the business, Eileen and Jerry stepped out into the spotlight for one last time to celebrate their agencies’ 50th anniversary and allow for its empire to then be led by their daughter Katie Ford, who at that point was already a part of the booking team and modeling industry for quite some time.
Eileen and Jerry remained married, successful in business and in their personal life,  with a family that includes four children, eight grandchildren and four great-grandchildren. In a recent phone conversation, Eileen told me she turns 90 years old in March of this year and is excited to celebrate this iconic date with a lunch organized by her children. Jerry however won’t be there to celebrate, as he passed away at the age of 83 on august 24, 2008 and left behind a loving wife and a legacy that will be remembered throughout the times to come.Their work together in fashion was a labor of love that broke boundaries and revolutionized an entire industry, they have established philosophies of work that are still followed by most agencies around the world and they have set the standards really high for everyone that followed them.
The Ford family brings the family into the expression “Family Business”, in aspects never before seen in the fashion industry, from housing some of their models in their own homes to making sure that their models were cared for in every aspect, they gave their talent every tool they needed to succeed, from financial to emotional support, it wasn’t just about the profit, but mostly about the relationships created within the modeling agency.
Nowadays, Ford Models is no longer in the hands of the Ford family, but it remains one of the biggest and most powerful agencies in the industry representing established names like Emma Balfour, Ana Claudia Michels, Rose Cordero, Karmen Pedaru and Sigrid Agren; as well as rising new talent like Tao, Julia Nobis and Kate King. The interesting part however, is to think that some of this young talent represented by Ford Models, walks those hallways completely unaware of the history behind them, that this multi million dollar business once started in a small office on second avenue and was solely responsible to set an entire industry in motion.
To see Ford Models’ website go to www.fordmodels.com 

Supermodel Blogger

Here is a new post in my Model Musing column at lookbooks.com – this week with supermodel blogger Emily Sandberg, you can check out her blog at www.supermodelblogger.com !

Model Musing: Emily Sandberg

What does a mime, a life guard, a minister, a mother and a blogger have in common? They are all one person: the iconic supermodel Emily Sandberg. With a long list of abilities, Emily has wowed the world with her modeling skills, which shot her to stardom.
Gracing the covers of  the Italian, French and Japanese editions of Vogue, Harper’s Bazaar and Elle and having shot with some of the most renowned photographers in the industry, like Annie Leibovitz, Steven Meisel, Peter Lindbergh, Mario Testino and Craig McDean, among others for campaigns such as Versace, Fendi and DKNY, Emily has become a household name and makes use of her expertise in her now famous – and infamous – blogSupermodel Blogger in which she shares her experiences as a model, actress and mother with whoever is interested, and the following is huge.
Why do you love this picture?
It’s a portrait of me.  It’s very rare that a photographer is interested in capturing the person or personality of a model.  Most often – and it goes without saying that this is the basic job description of a model – she must project an image to be captured. It was refreshing to sit in front of a camera and just be me. 
Who took it? Were you excited to work with this photographer?
I’d never worked with Annie Leibovitz before and wasn’t sure what to expect. Knowing that they were shooting numerous portraits that day, I expected a factory atmosphere and distracted photographer just doing another job.  I was surprised at how present she was and the second I realized that she was “there” I felt thrilled to be seen and captured by her. I respect Annie and have been a fan of her images for quite some time.  
How long did this shoot last?
I was in hair and makeup for an hour and then I sat for Annie for an hour.  All in, from door to door, it took four hours out of my day. I’d say it was worth every second. 
Anything curious about location, environment, weather, etc? 
I’ve never seen such an archive. When Annie came over to shake my hand and introduce herself, she had with her a folder containing all of the strongest images from my career.  I was sort of shocked and asked her about it.  She told me she has a team who keeps a file on most models and actresses for reference materials.  Wow. 
Who else was in the crew?
Julien D’ys did hair.  Nicoletta Santoro styled. Unfortunately, I don’t remember who did makeup.  
What were you thinking when it was taken?
I cleared my mind. But in between takes, I was thinking “I hope this is going good for everyone”.
What direction did the photographer give you?
She told me to sit and be comfortable. Interestingly, the photographers I’ve worked with like Steven Meisel and Peter Lindbergh, who are able to capture the strongest images of me, simply ask me to be comfortable.  
How was working with Nicoletta Santoro?
She tends to dress me in masculine clothing with clean lines.  I love working with her, she’s always been protective of me and progressively definitive of my image with each shoot and each runway show we worked on together. 
What were you wearing?
I wore an Ann Taylor blouse and my own necklace. 
What was the theme of the shoot?
Ann Taylor was celebrating the golden 50th anniversary as a brand.  They chose to do a special campaign capturing portraits of supermodels past, present and future. 
Is there anything about the modeling career that you would change if you could?
 I would have hired a team of professionals, nutritionists, trainers, doctors, accountants and lawyers right away.  I would also have reached out to models that were ahead of me in the process for mentoring.  
 I learned a lot through trial and error.  There wasn’t any strategic planning happening in my career or in the careers of the girls around me.  Most were simply trying to survive and figure out what this crazy world was they had happened upon.  And then, it was “over”. Everyone, agents, photographers, designers, stylists, editors were all moving so fast, I don’t think anyone really has a sense of the larger picture of a model’s arc of career or how to sustain it or even what to do with a girl after her first cycle through the upper echelons of fashion.   
 If I could do it again, I wouldn’t try to keep up with the pace, I would set my own. 
You can follow Emily Sandberg on twitter (@Emmalish) and on her blog:www.supermodelblogger.com 
Emily Sandberg is represented by Trump Models.

You Got the Love

It’s Valentine’s Day and I have posted this feature on cute model-couple Daniela Lopes and Diego Querzoli on Look Books for the Model Musing column of this week. Check it out HERE !
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Model Musing: Valentine’s Day Edition

Married for two years, Brazilian models Daniela Lopes and Diego Querzoli are one of those couples who set standards for many others, particularly in the modeling industry. It’s not rare to find models meeting and going into relationships, but the crazy routine, busy schedules and extensive traveling tend to break the relationships with time, so to find a couple like Daniela and Diego, who have been together for eight years, is a rarity.
The couple have been represented by the same agency in Brazil since the beginning of their careers, and when they started their relationship, they decided to keep things in the hush-hush until they felt they really had something strong going between them. In the first few weeks together, Diego got called in for a job inspired by the movie “Blow Up” – the model that was originally meant to shoot with him got the pink eye and couldn’t go, so the crew had to find a replacement model in a rush and Diego overheard them mentioning Daniela’s name a few times so he immediately called Daniela in secrecy so she would call the agency to check in and see if there was “anything” going on. The agency immediately confirmed her on that booking and they had to work all day together “pretending” to be a couple, when in fact that was exactly what they were. The fun and excitement of keeping the secret from friends, agents and clients made it all even more interesting and when the news broke that they were together everyone was happy and excited for the both of them.
After many experiences together Daniela and Diego tell us why they like this image so much and share some of their knowledge on being a couple in the modeling industry.
Why do you love this image?
Because it’s just the two of us relaxing and enjoying ourselves, it didn’t feel like we were working at all.
How did the two of you meet?
Daniela: We met at a dinner party that our agency had put together after the shows, but we didn’t really talk, there were many people there, we really met at a job a month later.
Diego: Yes, I remember I was crossing the street to get to the location and I saw this beautiful girl walking towards the studio and I thought: “I am so lucky, I will spend the entire weekend shooting with that beautiful girl!”.
Was it love at first sight?
Daniela: Yes it was! Love at first sight, first talk, first date!
Diego: I suppose it was, but it didn’t really hit me until later on, because I called my agent later on, after the job had passed and I asked her about Daniela, and she told me that Daniela had made a comment about me too, so I guess it was meant to be?
Is it difficult to work as models and still maintain a well rounded relationship?
Not really, it’s just a job like any other, only with a lot more traveling and no routine.
Do clients prefer to work with you because you are a real couple?
Yes, usually when the clients are working on a project that requires a couple they prefer to shoot with real life couples, there’s more synergy and connection. (Diego) well I am sure they like working with her cause she is beautiful and an amazing model!
Do you prefer to work couple jobs together or are you open to shooting with other people too?
Well, it’s definitely easier to work together, but we are open to working with other people too, I mean, it’s just a job. We used to do “couple” jobs before we were together, with other people I mean, and it was never an issue, as long as it remains very professional everything is fine!
Any advices for the young couples in the modeling industry?
Don’t try to limit your partner.
What’s the craziest thing you’ve done for each other?
The only thing we can think of is traveling for miles and miles to only be together for a very short amount of time!
Daniela Lopes and Diego Querzoli are both represented by Way Models in Brazil.

Melt your Heart

Check out my Model Musing column on Look Books to find out why the beauty Hannah Holman loves the picture below and how she will melt your heart away.
xo

Model Musing: Hannah Holman

With a face that resembles a very young Kim Basinger, circa 9 1/2 Weeks, and a personality that will make even the hardest of hearts melt, the blonde beauty Hannah Holman has established herself as one of the most successful models in a very competitive industry. Out of the mountains of Utah, Hannah started modeling at the very young age of 13, but it wasn’t until the agent Doll Wright spotted her, years later, that Hannah really had her break. Doll believed in Hannah’s talents, promoted her to the top clients in the industry and landed her in the Fall/Winter 2010 Miu Miu campaign as well as an exclusive for that season in Paris. 
Since then Hannah has become a familiar face to the fashion crowd and has graced the pages of magazines like Vogue USA, as well as covers for French,Russh and Citizen K and a wide range of editorials from W and to 10and I-D. Even at the height of 5’8, Hannah walked the runways for heavy weights like Louis Vuitton, Marc Jacobs and Chanel among others; and shot campaigns for Marc by Marc Jacobs, See by Chloe, Moschino Cheap & Chic and landed a  fat contract for the fragrance, Daisy by Marc Jacobs.

Read on to hear why Holman finds this picutre a favorite.
Why do you love this picture?   
I was fairly new to the game so I didn’t know what I was capable of .  When I saw how beautiful the photo was, I was proud and excited for my future in modeling.
Who took it?
An Australian photographer, Andrew O’Toole
How long did this shoot last? 
The shoot  was longer in the end than planned.  We were all having so much fun and couldn’t stop.  We were greedy for more shots I suppose. 
Anything curious about the location, environment, weather, etc? 
I was in Australia in a hair salon, as it was a hair story for Harper’s Bazaar Australia.   
Who else was in the crew? 
It was a small set up, especially towards the end when we stayed overtime. Hair was by Mathew Webb, who was the owner of the salon.
What were you thinking when it was taken? 
I was probably thinking too much!  
What direction did the photographer give you? 
He would let me move as I wished, which I love. It’s very freeing and it clears the head.    
What was the theme of the shoot? 
Back then I didn’t realize there were themes!  
What’s your biggest challenge as a model?  
Balancing your real life with work.  Time fly’s by so quickly and its impossible to plan a holiday, because you’ll most likely land a good job during that time. Murphy’s law! 
Is there anything about the modeling career that you would change if you could? 
No more last minute/holiday spoiler/ confirmed night before jobs, because of thaplanning anything is a pain. 
Hannah Holman is represented by Ford Models and is also on TWITTER @HannahHol

An Affair with Fashion

 

With a smart eye for fashion and aesthetic,  Brazilian artist Andre Azevedo has explored all different avenues of artistic work. From video making, to painting and art installations, he has dipped his toe in all kinds of waters and in each of those showed absolute control of his talent and imaginationby creating a body of work that travels through the most inventive to the most high maintenance crowds, all of which have their attention caught by the edgy look of whatever it is that Mr. Azevedo has created. Wether it’s a window for a fashion brand, a TV commercial, a painting or illustrations for a fashion magazine, Andre shows no fear in his work and with his work he conquers the minds of thousands.

With a background in graphic design,  Andre Azevedo saw his artistic career turn into a hobby for the ten years he worked as a model manager for one of Sao Paulo’s most prominent modeling agencies. In 2007, 

on the verge of a nervous breakdown, Andre realized he needed to slow down and reacess his life; he quit his successful career in Sao Paulo, packed up his bags and paintings and moved back home to Curitiba, a quaint city with the best quality of life in the Brazil, but also a city that thrives on art and culture. 

The move to Curitiba was meant to be a hiatus, time that the model manager needed to find his true calling; and that’s where Andre Azevedo, the model manager, became Andre Azevedo, the artist. Making use of his connections in fashion, Andre went on to do freelance work in styling and fashion production in order to make a living while  in his free time he could pour his passion into canvases, screens and sheets of paper. It was clear from the beginning that his work had a strong link with the fashion images that were a part of his day to day life in Sao Paulo and that the human eastethic played an important role as a source of inspiration, and as he explains, 

“the human being is still the focus of my vision”. But if the human connection is so important, then why completely abandon such a successful career? Couldn’t it be a great source of inspiration as well as an ally? Andre explains that,“

in the beginning the proximity with the fashion universe and the amount of interesteing people I would meet was exciting and extremely stimulating, it made me more interested in fashion, but with time it also became really boring, that’s why I had to leave, but those subjects are still present in my work.” In Curitiba, Mr. Azevedo also discovered a passion for the use of the internet and social media, and through them he also found a great tool to show his work and his ideas to the world. By spreading his work on his blog, Andre started seeing an overflow of followers and admirers, ranging from fashion editors to celebrities like Kanye West, who even posted a link to Andre’s work.

The internet was the biggest art dealer Mr. Azevedo could have asked for, all of a sudden he was receiving requests from other artists for contributions as well as commercial clients like Alfa Romeo and MTV to use his work in their new and creative advertising strategies. With much dedication, Mr. Azevedo took his time  making the right decisions. Calls from magazines such as Tank and  Made in Brazil started coming in and his collaborations started spreading out into the fashion industry. The Brazilian super-brand Forum asked Mr. Azevedo to develop a set of prints for a limited edition of t-shirts that were sold out and the classic brand Lacoste brought Andre in to participate in a project that culminated in a fashion show, a week of exhibitions and a limited edition book launched in Paris in 2011. Andre’s pannel produced for that exhibition in Rio de Janeiro was so well received that later it was also picked to be used in the windows of the Lacoste stores in Rio de Janeiro.

Publishing mega-house Taschen saw his talent and asked him to submit his work to their infamous catalog of the best illustrators in the world: Illustration Now! – for which he was then included in it’s fourth edition. Following Illustration Now! – Vol. 4, Mr. Azevedo has also been included in Taschen’s The Bigger Book of Fahsion Illustration due out this year.

When the subject of the commercial use of art is brought up, Mr. Azevedo has a very firm stand point: “I believe that the dream of most artists is to be able to stay in their studios and produce the work they feel the most inspired by for days and days, without any concerns of where its place in the art market or the price point, but for the most part I don’t believe that is a possibility. Even though many don’t see the commercial use of art in a good light, I don’t believe it makes less of my work as an artist, to me it’s a great compliment when I am asked to contribute to a fashion label or a major established brand like Lacoste or Alfa Romeo. In general my artistic freedom is never compromised, as I am usually given a theme or subject to work with and I am free to create on top of that.”. And so, after exploring so many different environments all there is left to wonder is; what else is there to do? “ well, photography is still very intriguing to me, it demands a lot more discipline and it’s the only thing that never came naturally to me, like painting or drawing.”

We look forward to seeing Andre explore this new realm and we hope his photos are as seductive as his illustrations!

Visit  Andre Azevedo’s blog here.

Walk the Walk

Here is a link to an interview with runway coach Connie Fleming on lookbooks.com !

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Walk the Walk: An interview with runway coach Connie Fleming

As New York Fashion Week approaches, hundreds of new faces roam through the streets of Manhattan, girls fighting for their own space under the spotlights of the runways; for many, one booking is the golden opportunity and key to a long and successful career, so getting the job isn’t enough, the performance is all that matters. But how do these girls prepare for the dreaded castings? And ultimately, how do they know what to do when they are asked to walk the walk?
Connie Fleming is the answer to many of those young faces, who sometimes have learned “how to walk”  in their home countries or even at home, watching videos on YouTube, and need to perfect the techniques and many many times need to relearn from scratch.
Connie was catapulted into the fashion world in the 80’s in the midst of the downtown fashion and performance art scene. She caught the attention of designers like Patricia Field and Andre Walker who booked her to model their collections and shortly after she fell into graces with the likes Thierry Mugler and Vivienne Westwood. Connie’s career as a model was established and photographers like Steven Klein and Steven Meisel confirmed she was a must-book.
Having dabbled a little bit in the art scene and in production and casting for her long time friend Patricia Field, Connie gained enough experience and know how to then move on to a new realm and explore a career as a runway coach. 
 
With names like Arlenis Sosa, Hanne Gabby Odiele, Erin Heatherton and Brooklyn Decker on her resume, Connie has a brilliant array of experience to share with the young girls:  
What do you like about teaching these young girls to walk the runways?
Helping them to build their confidence and watching them grow and adapt to the creative process.
One would think that all they have to do is put on their outfit, a good face and walk; but if there is the need for a runway coach I am assuming there is a lot more to it?
Yes there’s attitude, feeling, pace, connecting with the eyes. Being in the moment and part of the overall statement.
What is the most important thing for these girls to learn?
To be aware of the clients direction and style, the importance of creating a line or shape, and again being comfortable in their bodies.
Do the model’s agents give you directions of something that they are looking for or interfere with your work in any way?
It’s different for each girl and what she needs at the time. It might be a certain style for a specific show or to help ease them out of their shell.  I really haven’t experienced an interfering vibe and ultimately the agent knows the model best.  More importantly they get feedback from casting directors and clients so it’s more like everyone coming together to make the process work.
Is there anything that frustrates you as a runway coach?
Time, when there isn’t enough of it to prepare a girl fully for show week.
Are you proud to see the girls you coached glowing in campaigns, editorials and fashion shows?
Naturally. It’s great to see them utilize techniques we’ve practiced in class.
Do you still have a relationship with them?
We run into each other from time to time but they’re off making fashion and i couldn’t be happier for them.
What is the most important advice you would give to the young girls who aspire to become models?
Familiarize yourself with the business,  the designers, the labels, the websites  and magazines. And realize it’s a tough business that can be quite harsh; it requires a thick skin to not take it all too personally.  
What do you still aim to achieve in this industry?
There are many avenues of the business that i would like to pursue.  I ‘m working on several projects such as my illustrations which i’ve been working on for years and plan to exhibit soon.

Pilgrimage

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Annie Leibovitz Goes on a Pilgrimage with New Exhibit

West Chelsea saw a true fashion pilgrimage last night when fashionistas like Tory BurchMarina Muñoz and Jamie Johnson flocked down twenty second street making their way through a shoot for the TV show Damages that made traffic through the street impossible. But nothing could stop them as they had a mission: to attend Annie Leibovitz’s “Pilgrimage” exhibition opening at The Pace Gallery – hosted by none other than Anna Wintour, the fierce editor in chief of Vogue.

The expectations surrounding this event were huge. This was Mrs. Leibovitz’s first purely digital project and the subject of her portraits this time were not the famous faces we are used to seeing in the pages of Vanity Fair or Vogue, but places and objects that are special to the photographer and also represent a special place in the world’s history.

Among pictures of Emily Dickinson’s last remaining dress, Elvis Presley’s television, Sigmund Freud’s couch and Abraham Lincoln’s hat, photographer Claiborne Swanson Frank told stories about her first book project set to come out next year while It girl Lily Kwong giggled about having to find a party dress on a budget for a story she was working on for Vogue.com –- “Give me 200 bucks and I’ll make it work!” Coco Rocha made a quick appearance with her husband James Conran on their way to a friend’s dinner. The couple is also getting ready for their own event next week, the fundraiser for the non-profit organization Lakay Pam that helps to improve the quality of life for children in Haiti. Coco will be hosting her third fundraiser for this organization, but this time they will also be premiering the documentary Letters to Haiti as well as showing an exhibition of pictures shot by her friend, Victoria’s Secret Angel Behati Prinsloo, during a visit they made to the country last year.

In an evening where art seemed to be the guest among a fashion crowd, Chuck Close’s presence was a great reminder of the goal of the evening: to celebrate art and history. Mr. Close seemed to be impressed by Mrs. Leibovitz’s work: “It’s interesting to see an artist like her stepping out of her comfort zone to shoot inanimate objects like these. The result is beautiful. I have never been a person who takes pictures, in fact I don’t think I have ever taken a picture during a vacation or anything like that. I like to keep those moments in my head, so it’s interesting to see these pictures displayed like this.”

The evening went smoothly in the warm environment of the gallery, among glasses of white wine and canapés, Karen ElsonNarciso Rodriguez and Prabal Gurung mingled in perfect harmony with Catherine Newell-HansonEugenia Gonzalez and Michelle Harper. Mrs. Leibovitz signed books to her friends and when the clock ticked 8pm there was barely anyone left — as it would be expected from the kind of in-crowd that filled the guest list.

Photographs from Pilgrimage will be exhibited in New York at The Pace Gallery on December 1, 2 and 3 and next year at the Smithsonian American Art Museum in Washington D.C., from January 20 to May 20, 2012. The book Pilgrimage has been published by Random House and is available now.

Naomi Preizler

HERE is a link to something I wrote on one of my favorite new models for LookBooks.com – have a read! 🙂

Agent Provocateur: Elite’s Gabriel Rocha on Naomi Preizler

Naomi Preizler (Elite) is much more than just a pretty face and a great runway girl. She is a true artist who paints and draws likes nobody’s business, and has a great understanding of art and fashion, which to me is an extremely important factor in a model’s career.

Unquestionably a rising talent in our industry, just the other week Naomi shot single-girl editorials for Vogue Russia and L’Officiel in different parts of the world. Her previous bookings include  a cover of Vogue Italia Gioiello; editorials for V SpainVInterviewMuseDazed & ConfusedWonderland, and Zoo; and features in i-D and Metal.

Naomi was also featured on the cover of the first issue of Harper’s Bazaar Argentina, her native country, where she is also currently working on a line of t-shirts with prints from her paintings.

Naomi has walked the runways of GivenchyChanelSonia RykielJean Paul GaultierRichard ChaiRag & BoneMissoniVivienne WestwoodHouse of Holland, among many others; and has been shot by photographers like Mario Sorrenti,Sharif Hamza and Vicky Trombetta (2DM).

For more on Naomi and Gabriel: Naomi’s Twitter | Gabriel’s Twitter — Blog